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Video of ‘Joseph Swan and Photography in Sunderland’ event

Nat Wilkins of Canny Productions produced this smashing film which gives a sense of the mood and magic of our Joseph Swan and Photography in Sunderland event which was held in February in partnership with Breeze Creatives.  Our Victorian Athenaeum evening combined ‘learning and entertainment’, with photographic talks, demonstrations of old and new photographic processes and work by photographic artists Karolina Maciagowska, Andy Martin, Lucy Carolan and Richard Glynn of The Lostness Club and students of the Northern Centre of Photography.

‘Most people know Joseph Swan as the inventor of the incandescent light bulb. But he was also a photography entrepreneur and businessman, with connections far and wide. We’re celebrating this story in Sunderland, the town where he was born and grew up and where he encountered photography for the first time.’

The event formed part of a collaboration between Breeze Creatives and Sunderland BID who presented three events in the Athenaeum Building on Fawcett Street, Sunderland as joint-winners of Sunderland’s 10×10 project connecting cultural and commercial partners.  More on the event here

A Collective Endeavour: A Discussion with Document Scotland

The Granary Gallery, Dewar’s Lane, Bridge Street, Berwick upon Tweed, TD15 1HJ
Saturday 6 May 2017, 1.30pm-3.00pm

As part of the current exhibition at The Granary Gallery –‘Beyond the Border: New Contemporary Photography from Scotland’, Berwick Visual Arts in partnership with NEPN invites Document Scotland to explore the motivations, benefits and responsibilities of working collectively in the age of individualism.

We will be joined by Sophie Gerrard, Jeremy Sutton-Hibbert and Sarah Amy Fishlock of the collective who will present their own photographic work and discuss how working collectively can amplify the social and political impact of photography and its reach.

Free, but places are limited and must be booked in advance, via www.maltingsberwick.co.uk

Programmed by Berwick Visual Arts in conjunction with the exhibition Beyond the Border: New Contemporary Photography from Scotland(11 February – 14 May 2017) at The Granary Gallery.

Beyond the Border is an Impressions Gallery Touring Exhibition curated by Anne McNeill together with the Impressions Gallery.

 Image: Jon Richardson, known as Gaius Iulius Raeticus, Glasgow (detail), 2013 ©Jeremy Sutton-Hibbert / courtesy Impressions Gallery

 

Portfolio & project peer mentoring for early and mid-career photographers. 

The Granary Gallery, 2nd Floor, Berwick YHA, Dewar’s Lane, Berwick-upon-Tweed TD15 1HJ

Saturday 6 May – 10.30am-12.30pm  SPACE AVAILABLE 

Berwick Visual Arts in partnership with NEPN and Document Scotland invite early and mid-career photographers from North-East England and the Scottish Borders for a portfolio and project mentoring session.

The session will provide critical advice in a supportive and informal environment. Bring along your portfolio or work in development in physical prints or on laptop to discuss with fellow photographers and artists and members of Document Scotland, Berwick Visual Arts and NEPN.

There is a maximum of 6 participants for this event and an application process in place. Applicants should submit 1 page (max.) artist statement, including brief description of the project or work they would like to discuss, biography and a link to their work. Please submit applications to: nepn@sunderland.ac.uk by 5pm on Thursday 4 May.

 

Beyond the Visible: Contemporary Visualizations of Loss, Illness and the ‘Unseen’ in Representations of the Family

Image: The Family Curse, Natalie Laydon 

23 March 2016, 1.00pm – 6.45pm, The Northern Charter, Commercial Union House, 39 Pilgrim Street, Newcastle upon Tyne, NE1 6QE

The Northern Charter  & The Family Ties Network in association with NEPN present a study day which will consider how photography is being used to create visual conversations around the lived experiences of illness, loss, medical conditions and the ‘unseen’ within representations of the family. Photography is a difficult medium when it comes to photographing something that is not always visible. The particular visual strategies adopted by the artists explore a range of approaches for circumnavigating the challenges this presents.  Their work raises questions as to how we see (or don’t see) these lived experiences. More than this, through their exploratory visual strategies, such practices are asking if it is possible to perceive – and therefore understand – such experiences and conditions differently?

As well as talks by our speakers, a range of graduates and current students of the Northern Centre of Photography, University of Sunderland will be showing portfolios of work that connect with the day’s themes. There will also be a chance for informal discussion and dialogue around this important subject.

Speakers:
Rosy Martin, Arabella Plouviez, Sophie Ingleby, Sarah Tulloch and Marjolaine Ryley

Chairs: Nicky Bird and Carol McKay

Venue: Northern Charter, 5th Floor, Commercial Union House, 39 Pilgrim Street, Newcastle, NE1 6QE

This is a free event however booking is essential HERE 

Schedule:

1.00–1.30pm           Register  / Folios on View

1.30                   Welcome

1.45-2.15           Sophie Ingleby

2.15-2.45           Arabella Plouviez

2.45-3.00          Chaired Q & A with Nicky Bird

3.00-3.30       Break / Folios on View

4.00-4.30          Marjolaine Ryley

4.30-5.00          Sarah Tulloch

500-5.15            Chaired Q & A with Nicky Bird

5.15-5.30        Break / Folios on View

5.30-6.15           Rosy Martin

6.15-6.45           Chaired Q & A with Carol McKay

6.45-7.45         Drinks and an informal launch of ‘Image Object’ by Sarah Tulloch and ‘The Thin Blue Line, The Deep Red Sea’ by Marjolaine Ryley will follow the main event. All welcome.

 

Speaker Biographies

Rosy Martin

Rosy Martin is an artist-photographer, psychological-therapist, workshop leader, lecturer and writer. She explores the relationships between photography, memory, identities and unconscious processes using self-portraiture, still life photography, digital imaging and video. From 1983, with Jo Spence, she pioneered re-enactment phototherapy. She has exhibited internationally and published widely since 1985. Her work has explored issues including gender, sexuality, ageing, class, desire, memory location, urbanism, family dynamics, shame, health and disease, bereavement, grief and reparation. Recent publications include essays in ‘The Photograph and the Album’ 2013, ‘Phototherapy and Therapeutic Photography in a Digital Age’ 2013 and ‘Ageing Femininities, Troubling Representations’ 2012. Recent exhibitions include: ‘Focus Photography Festival’ Mumbai, 2013, ‘Il Corpo Solitario’ Perugia, 2014 and Peltz Gallery London in ‘Family Ties: Reframing Memory’, Tate Britain, 2015-6 and Stills Edinburgh, 2016. www.rosymartin.co.uk

In ‘Too close to home?’ Rosy will examine the challenges she faced in attempting to represent her mother’s dementia. Then the task of ‘curating the museum of sources’, somehow finding visual strategies to reflect her grief and sense of losses as she faced dismantling the family home, alone. In ‘Acts of Reparation’ she used the process of re-enactment phototherapy to replace her parents, in their home and honour the memory of who they had been.

 

Sarah Tulloch

Graduating from Bristol School of Art and Design with First Class Honours in 2005, Tulloch was then awarded the UWE/Spike Island Fellowship 2006-7 and a Small Wonders Award with Picture This. In 2009 Tulloch gained an MFA with distinction from Newcastle University. She has exhibited in the UK and internationally including Rotterdam International Film Festival, Berwick Film and Media Festival, Plus Arts Projects, London, Motorcade/Flashparade, Bristol, Spike Island, Bristol, Baltic 39, Newcastle upon Tyne and Bergby Konst Centre, Sweden. The series, ‘Newspaper heads’ was shortlisted for Jerwood Encounters: Family Politics. In 2015 Sarah was commissioned by New Trust Arts to make a three channel video installation at Biddulph Grange Gardens, Stoke. Sarah is currently working with Daylight books on her first artists’ book ‘Object Image’. Forthcoming exhibitions in 2017 include Platform A gallery, Middlesborough and The New Bridge Project, Newcastle with fellow artists Annie O’Donnell and Katy Cole and a solo show at The Bonnafont gallery, San Francisco. www.sarahtulloch.co.uk

For her talk Sarah will discuss the work Object Image which interrogates both the material fabric of the image, the object, and the image content of the photographic subject.

 

Sophie Ingleby

Sophie is a portrait and documentary photographer based in the North East of England. She is currently working on SEED: images exploring fertility treatment. She has an MA in Photography, with distinction, from Sunderland University. Her first body of work Known/Unknown was exhibited in a solo exhibition at Aberdeen Art Gallery in 2010, and led to being selected as an Emerging British Photographer by the Canadian Publisher Magenta in 2011. In 2016, She was selected for the NEPN DEVELOP Award. Exhibitions include: Flash Forward ‘Emerging Photographers’ Flash Forward Festival, Boston, USA, 2012 and Toronto, Canada, 2011; ‘Known/Unknown’ Aberdeen Art Gallery, 2010, ‘Works of Revelation’ Vardy Gallery, Sunderland, 2010 and ‘Renaissance Photography Prize’ Mall Galleries, London, 2010. www.sophieingleby.com

Sophie will discuss S E E D a photographic insight into fertility treatment. The project explores different aspects of IVF through a series of portraits, conceptual photographic works and documentary imagery from Newcastle Fertility Centre at LIFE. The work aims to increase awareness and understanding of fertility treatment.

 

Arabella Plouviez

Arabella is a practising photographer whose work has been exhibited and published both nationally and internationally. Her work involves the combining of image and text to visualise ideas and challenge the expectations of the photograph, working with different communities. Specifically, her work has explored areas from mental illness and criminality to the representation of women and, more recently, Alzheimer’s disease. Alongside her practice, Arabella writes about photography, often in collaboration with her colleague Dr Carol McKay. This work includes the co-editing of the book ‘The Versatile Image: Photography, Digital Technologies and the Internet’ 2013, looking specifically at the role of photography in the networked world. Arabella has, with colleagues, been instrumental in setting up NEPN (http://www.northeastphoto.net), a regional photography development and research agency, which encourages and engages the development of debate around high quality, critically engaged photography. Arabella is Professor of Photography and Academic Dean in the Faculty of Arts and Creative Industries, University of Sunderland. www.photography-at-sunderland.co.uk/ArabellaPlouviezweb/index.html

For her talk Arabella will present ‘Alzheimer’s: A Quiet Story’ which considers how, through the confusion of Alzheimer’s disease, the everyday becomes out of reach, the immediate gets lost and the individual works hard to understand the confusion of others. This work takes a domestic environment which has been lived in for a lifetime and the medium of photography which we so often use as our memory to explore some of the ways in which our brains get lost through this illness.

 

Marjolaine Ryley

Marjolaine Ryley has exhibited and published her work both nationally and internationally including exhibitions at Impressions Gallery, Bradford, Street Level Photoworks, Glasgow, The Palacio des Artes, Porto and Wolverhampton Art Gallery, West Midlands. Publications include ‘Villa Mona – A Proper Kind of House’ Trace, 2006 and ‘Growing up in the New Age’ Daylight, 2013. Ryley’s recent publication ‘The Thin Blue Line, The Deep Red Sea’, NEPN, 2015 explores the often invisible experience of miscarriage through photography and creative writing. This project was funded through Arts Council England and was undertaken in collaboration with The Miscarriage Association Charity where she undertook a year as their Artist in Residence. Ryley is currently working on a new Arts Council Funded project ‘A Gardener’s Daughter’ in collaboration with Dilston Physic Garden, NGCA and The National Trust, exploring the relationship between gardens/plants and health/well-being. www.agardenersdaughterblog.wordpress.com

Ryley’s work is held in the collections of the V&A and Serralves museum. www.marjolaineryley.co.uk

For her talk Marjolaine will discuss the development of her work ‘The Thin Blue Line, The Deep Red Sea’ which examines the ways miscarriage and pregnancy loss have been explored (and ignored) in arts and culture.

 

Chairs

Dr Carol McKay is Senior Lecturer in History and Theory of Photography at the University of Sunderland and Programme Manager of the North East Photography Network. Carol led the team that recently won the Collaborative Award for Teaching Excellence at the Higher Education Academy for NEPN’s work with the Northern Centre of Photography.

Nicky Bird is an artist whose work considers the contemporary relevance of found photographs, and hidden histories of specific sites, investigating how they remain resonant. In varying ways she incorporates new photography with oral histories, genealogy, and collaborations with people who have a significant connection to the original site, archive or artefact. From 2007, her work has become increasingly preoccupied with the themes of photography, archives, land & narratives of placemaking. These narratives often include the ‘unmaking’ of place whether through economic decline and regeneration.

 

The Northern Charter is a space for contemporary art in Newcastle upon Tyne. The Northern Charter is an artist-led organisation and we provide spaces for artists and art organisations to make, show and curate contemporary art.
The Northern Charter is based in Commercial Union House in Newcastle city centre. We have created thirteen workspaces and a project space within this purpose built office building. The Northern Charter is developing a public programme of events that will support and encourage thinking and talking about contemporary art. Our project space is a large and flexible creative space and will be used for performances, talks, screenings and other events. www.thenortherncharter.org

The Family Ties Network is a research group of artists, filmmakers and writers who explore memory, space, place and the family in photography and moving image. Through events, conferences, exhibitions and publications, they aim to investigate a range of issues, encompassing the visual representation of family memories, the family album, oral history, bereavement, displacement, estrangement and the family home. Co-ordinators of The Family Ties Network include Dr. Suze Adams (University of the West of England), Nicky Bird (Glasgow School of Art), Jacqueline Butler (Manchester Metropolitan University), Rosy Martin (Independent artist/researcher), Lizzie Thynne (Sussex University) and Dr. Sally Waterman (Ravensbourne, London).
https://familytiesnetwork.wordpress.com

 

Joseph Swan and Photography in Sunderland

NEPN and Breeze Creatives are pleased to present an event with a difference about Joseph Swan and Photography in Sunderland on Wednesday 1 February at 6pm – 8pm at the Athenaeum Building, 27 Fawcett Street, Sunderland, SR1 1RE.

Most people know Joseph Swan as the inventor of the incandescent light bulb. But he was also a photography entrepreneur and businessman, with connections far and wide. We’re celebrating this story in Sunderland, the town where he was born and grew up and where he encountered photography for the first time.

Join us for a Victorian Athenaeum evening, where we will combine ‘learning and entertainment’, with (brief!) photographic talks, demonstrations of old and new photographic processes and the opportunity to chat and socialize. It’s our version of ‘steampunk’ photography: 19th century techniques and inventions with a contemporary twist.

Bring your cameras and mobile phones to help us celebrate this story and find out more about how Joseph Swan is inspiring a new generation of photographers, artists and historians in the North East.

Featuring:

Artist Karolina Maciagowska will demonstrate her new work with the collodion process.

Lucy Carolan and Richard Glynn invite you to experience their ‘Lostness Cycles’: kinetic, interactive photographic works that investigate crossovers between digital and traditional practices.

A chance to view portraits created by Andy Martin using collodion process and a Mawson and Swan camera dated from 1880-1890s.

Try out our Victorian Selfie-Station.

Architecture and design historian Michael Johnson will talk about the history of The Athenaeum Building and Fawcett Street.

NEPN Programme Manager and Senior Lecturer at the Northern Centre of Photography at University of Sunderland, Carol McKay, will introduce a new photography research project by the Northern Centre of Photography.

Paul Cordes, Founder of the Newcastle Photography Festival, will talk about Joseph Swan’s many photographic patents and the processes that inspire him.

 “It’s great to be doing this event in Sunderland’s Athenaeum Building, for it was here that Swan came first as a young apprentice chemist to find out about the brand new science of photography. Here in Sunderland he was inspired to make his first photographic experiments”. (Carol McKay, Programme Manager, NEPN)

Produced by Breeze Creatives and NEPN.

With special thanks to students and staff at the Northern Centre of Photography, University of Sunderland.

This event is part of a collaboration between Breeze Creatives and Sunderland BID who are showcasing three events in the Athenaeum Building on Fawcett Street, Sunderland. As joint-winners of Sunderland’s 10×10, the events will act as taster events, keeping the vibrancy of Sunderland city alive into the evening. To celebrate the Athenaeum building the events, under the umbrella of ‘Athenaeum Nights’ also include; an exhibition which plays and responds to the scale of the space, and ‘Babble: Three-Legged Chair’; a rising talent of young artists, including Charlie Dearnley and Adam Goodwin, join to create an improvisational group exploring a conversation between music, dance and live visuals.

Please note the Athenaeum Building is an historic space in early stages of redevelopment. It is accessed via stairs to the first floor and is unfortunately not accessible for wheelchair users.

Image top: ©Karolina Maciagowska

Image below: Park MkII from The Lostness Cycles ©Lucy Carolan and Richard Glynn

 

                           

          

Photographer Talk: Sophie Gerrard

NEPN is proud to welcome Sophie Gerrard to Newcastle to speak about her practice on Wednesday 7 December at 6.30pm at the Mining Institute, Neville Hall, Westgate Road, Newcastle, NE1 1SE.

The talk will start at 6.30pm prompt in the Lecture Theatre and will be followed by drinks and informal conversation in the Library until 8.30pm.

The talk is free but please book via the eventbrite link to secure your place HERE.

Sophie Gerrard (Scottish, b.1978) is an award-winning photographer specialising in contemporary documentary stories with environmental and social themes.

Sophie began her career in environmental sciences before studying photography at Edinburgh College of Art followed by an MA in Photojournalism and Documentary Photography at London College of Communication.

Her first major project, E-Wasteland was awarded a Jerwood Photography Award, a Fuji Bursary, and a Magenta Fast Forward Award. She has since been shortlisted and nominated for the Prix Pictet Award several years running and the 2015 Remote Photo Prize.

Sophie’s editorial and long term personal work has been published widely by clients including The Guardian, The Telegraph Magazine, FT Magazine, The independent on Sunday Magazine, Esquire Magazine, Foto8, The British Journal of Photography, Portfolio Magazine, Scotland on Sunday, Lucky Peach, Le Monde and many others.

Solo and group exhibitions include The Fox Talbot Museum (2016/17), The Scottish National Portrait Gallery (2015), Brighton Photoworks Biennial (2014), Impressions Gallery, Bradford (2014), Street Level Gallery (2014), Scotland House, Brussels (2014), Unseen Amsterdam (2013), Flowers East Gallery (2008), The Arbetes Museum (2008), Paris Photo (2008) and the Photographers’ Gallery (2012/13). Her work is held in a number of collections including St Andrews University Special Collection, The National Galleries of Scotland, Couttes Bank private collection, StatOil Collection and the Sir Elton John private Collection.

In 2012 Sophie co-founded Document Scotland, a collective of internationally acclaimed photographers dedicated to chronicling the social, cultural and economic life in Scotland.

Sophie is a lecturer in photography at Edinburgh Napier University and a member of the board of trustees for Impressions Gallery in Bradford.

Sophie’s work has been published in several books including “New Light” The Jerwood Foundation (2009), “Tunnock” Cafe Royal Books (2015), “The Bigger Picture”, Impressions Gallery (2015) and “Compassion, Commitment, Community” The Savitri Waney Charitable Trust (2013).

Sophie is represented by The Photographers’ Gallery in London.

https://sophiegerrard.com

http://www.documentscotland.com

Image: Blackfaced Ewes with wind turbines, Lauder, 2013. ©Sophie Gerrard from the series Drawn to The Land.

Please note that disabled access to the Lecture Theatre is gained at the rear of the building and it is best to telephone the Mining Institute ahead on (0191) 232 2201.

Photographer Talk: Mark Curran

NEPN is pleased to welcome Mark Curran to Newcastle to speak about his photographic practice on Wednesday 16 November at 6.30pm at the Mining Institute, Neville Hall, Westgate Road, Newcastle, NE1 1SE.

The talk will start at 6.30pm prompt in the Lecture Theatre and will be followed by drinks and informal conversation in the Library until 8.30pm.

The talk is free however booking is requested HERE

Mark Curran is an artist researcher and educator who lives and works in Berlin and Dublin. He holds a practice-led PhD from the Dublin Institute of Technology, is Lecturer on the BA (Hons) Photography programme, Institute of Art, Design & Technology (IADT), Dublin and Visiting Professor on the MA in Visual & Media Anthropology, Freie Universität Berlin.

Incorporating multi-media installation informed by ethnographic understandings, since the late 1990s, Curran has undertaken a cycle of long-term research projects, critically addressing the predatory context resulting from the migrations and flows of global capital. These have been extensively published and exhibited, including DePaul Art Museum, Chicago (2010), Encontros da Imagem, Braga (2011), PhotoIreland, Dublin (2012), Grimmuseum, Berlin (2013) & FORMAT, Derby (2013). He has also presented widely including The Photographers’ Gallery, London (2012), Irish Museum of Modern Art (IMMA) (2013), Abbey Theatre, Dublin (2014), McGill University, Montreal (2014), Royal Anthropological Institute, London (2015), University of Ljubljana (2015), University of Bern (2015), Glucksman Gallery of Art (2016) & Boston University (2016).

Mark Curran’s The Economy of Appearances was commissioned by Noorderlicht Photofestival 2015 and NEPN. Sited in the new financial district of Zuidas on the outskirts of Amsterdam, the work focuses on the Netherlands role in global structures of High Frequency Trading (HFT) and Shadow Banking. It is an elaboration of his long-term transnational research project, THE MARKET, focusing on the functioning and condition of the global markets.Taking the sphere out of abstraction and positioning it as a pervasive force central to our lives, themes include algorithmic machinery of financial markets, as central innovator of this technology, absorption of crises as normalisation of deviance, and long-range mapping and consequences of financial activity distanced from citizens and everyday life.

Supported by Arts Council of Ireland & curated by Helen Carey, THE MARKET has been presented at Gallery of Photography, Dublin (2013), Belfast Exposed Gallery (2013), Centre Culturel Irlandais, Paris (2014) and Noorderlicht, Groningen (2015). An extensive exhibition, titled The Economy of Appearances was presented at Limerick City Gallery of Art (LCGA), Ireland in Autumn 2015 and nominated by Christiane Monarchi, Photomonitor (UK) for the Deutsche Börse Photography Award 2016. Extracts from the project feature in a group exhibition on mapping global networks of capital titled, I Stood Before The Source currently installed at the Blackwood Gallery, Toronto, Canada. Future installations are confirmed for the UK & France in 2016/17 and a full publication of THE MARKET is also planned.

https://lockout2013.wordpress.com

https://vimeo.com/user6725215

http://www.disphotic.com/market-interview-mark-curran/

Please note that disabled access to the Lecture Theatre is gained at the rear of the building and it is best to telephone the Mining Institute ahead on (0191) 232 2201.

Image: ©Mark Curran

Financial Surrrealism (World Trade Center II)
 Zuidas Financial District

Amsterdam, Netherlands, 2015

From THE MARKET (2010-)

Artist Talk: Anne Hardy

NEPN, in partnership with Newcastle University, is pleased to welcome artist Anne Hardy, to Newcastle to speak about her work and career on Tuesday 8 November at 6.00pm at Lecture Theatre 1, Herschel Building, Newcastle University Campus, Newcastle upon Tyne (directly opposite Haymarket metro station).

The talk will start at 6.00pm prompt in the lecture theatre and will be followed by drinks and informal conversation in the Student Cafe, 2nd floor of the Fine Art building (a short walk across campus).

This is a free talk, programmed in partnership with Newcastle University.

Anne Hardy lives and works in London. Her work includes sculptural installation, photography and audio.

“Hardy’s environments, whether presented as photographic record or as an accessible space, are filled with the absence of performative acts, each with their own gnomic, disconcerting purpose, however approachable the residual things seem to be”

 David Rhodes, ArtForum, ‘Anne Hardy’ 05.13.13

Solo Exhibitions include: FIELD, Modern Art Oxford, 2015/16; TWIN FIELDS, The Common Guild, Glasgow, 2015; rrmmmph, huooghg, op, mmmuuoow, ip , FIG-2, ICA studio, London 2015; Fieldworks, Kunstverein Freiburg, 2014; Vienna Secession, 2012; Maureen Paley, 2013; New Acquisitions from the Arts Council Collection 2010, Anne Hardy — Recent Work, Project Space, Longside Gallery, Yorkshire Sculpture Park (2010). In 2012 an artist book, Anne Hardy ‘Secession’, was published to accompany her exhibition at the Vienna Secession and TWIN FIELDS, FIELD, Fieldworks was published in 2016 by Dent-de-Leone and The Common Guild.

Her work has been included in exhibitions both in the UK and internationally, including Mirrorcity at The Hayward Gallery, London (2014). In 2011 Hardy had an Artist’s Residency at Camden Arts Centre and in 2014 an artist residency, ‘Live in the Studio’, to develop a live performance work, at Modern Art Oxford.

Anne Hardy is represented by Maureen Paley, London.

http://anne-hardy.co.uk 

Image: Anne Hardy “Two Joined Fields”, sculptural installation with audio, 2013/4 (interior view) ©Anne Hardy, courtesy the artist and Maureen Paley, London.

Photographer Talk: Rasel Chowdhury

NEPN is pleased to welcome Rasel Chowdhury to Newcastle to speak about his photographic practice on Wednesday 12 October at 6.30pm at the Mining Institute, Neville Hall, Westgate Road, Newcastle, NE1 1SE.

The talk will start at 6.30pm prompt in the Lecture Theatre and will be followed by drinks and informal conversation in the Library until 8.30pm.

The talk is free however booking is requested HERE

Rasel Chowdhury is an award-winning documentary photographer based in Dhaka, Bangladesh. He started his career in photography documenting spaces in and around his birthplace. Rasel graduated in photography from Pathshala, South Asian Media Institute, and focused on changing landscapes and environmental issues as extremely important subjects to document in his generation.

Amongst his accolades, Rasel won the prestigious Ian Parry Award in 2011, and most recently the Samdani Art Award 2016. As part of the award, he is undertaking a three-month residency at the Delfina Foundation in London this year.

http://www.raselchowdhury.com

 

Please note that disabled access to the Lecture Theatre is gained at the rear of the building and it is best to telephone the Mining Institute ahead on (0191) 232 2201. 

Image top: From the series Desperate Urbanization, 2010-2015 ©Rasel Chowdhury 

Image: From the series Railway Longings, 2011-2012 ©Rasel Chowdhury

DEVELOP Talk: Anne McNeill

NEPN is pleased to welcome Anne McNeill, Director of Impressions Gallery, to Sunderland to speak about her perspective on contemporary photography and to share the lessons a career in photography has taught her on Thursday 23 June at 6.30pm at the City Library & Arts Centre, 2nd Floor (Meeting Room), Fawcett Street, Sunderland, SR1 1RE

The talk will start at 6.30pm prompt in the meeting room and will be followed by drinks and informal conversation until 8.30pm.  Free however booking is requested HERE

Programmed in partnership with NGCA.

Anne McNeill has been the Director and curator of Impressions Gallery, since 2000. Anne began her career in 1984 as a darkroom worker at the radical gallery Camerawork, London. In 1994 she established Photoworks, an international commissioning agency based in Brighton, and was Artistic Director for Photo 98, the UK Year of Photography. Anne is regularly invited to be a judge at international awards, most recently for the W. Eugene Smith Memorial Grant, New York.

Anne is an experienced curator of photography exhibitions, with over 20 years experience. Exhibitions include Facing the Front, unseen wartime fashion photographs by Lee Miller (1998). In 2008 she curated a major retrospective of Anna Fox’s work, which was short listed for the Deutsche Börse, European Photography Prize (2008). In 2010 she curated Murray Ballard’s first solo show The Prospect of Immortality, selected by the British Journal of Photography as UK winner of the best emerging photographers from around the globe. In 2014, set against the backdrop of the historic referendum on Scotland’s Independence, Anne curated, Beyond the Border, cited as one of the most significant shows of new Scottish photography in a generation. Anne is currently researching the work of pioneering Lithuanian artist Domicėlė Tarabilienė (1912-1985) and her influence on contemporary Lithuanian women photographers.

Impressions Gallery is a charity that helps people understand the world through photography. Established in 1972, as one of the first photographic galleries in Europe, Impressions has grown to become one of the UK’s leading independent venues for contemporary photography. Audiences are at the heart of its work and the gallery collaborates with artists and organisations nationally and internationally to exhibit and publish photography.  http://www.impressions-gallery.com/ 

 

*Postponed* Photographer Talk: Mark Curran

*Due to unforeseen circumstances, we must regretfully postpone our planned talk with Mark Curran on Wednesday 18 May *

NEPN will look to rearrange a date with Mark later in the year.

Mark Curran is an artist researcher and educator who lives and works in Berlin and Dublin. He holds a practice-led PhD from the Dublin Institute of Technology, is Lecturer on the BA (Hons) Photography programme, Institute of Art, Design & Technology (IADT), Dublin and Visiting Professor on the MA in Visual & Media Anthropology, Freie Universität Berlin.

Incorporating multi-media installation informed by ethnographic understandings, since 1998, Curran has undertaken a cycle of long-term research projects, critically addressing the predatory context resulting from the migrations and flows of global capital. These have been extensively published and exhibited, including DePaul Art Museum, Chicago (2010), Encontros da Imagem, Braga (2011), PhotoIreland, Dublin (2012), Grimmuseum, Berlin (2013) & FORMAT, Derby (2013). Curran has also presented widely more recently at The Photographers’ Gallery, London (2012), Irish Museum of Modern Art (IMMA) (2013), Abbey Theatre, Dublin (2014), McGill University, Montreal (2014), Royal Anthropological Institute, London (2015), University of Ljubljana (2015), University of Bern (2015), Glucksman Gallery of Art (2016) & Aarhus University, Denmark (2016)(forthcoming).

Mark Curran’s The Economy of Appearances was commissioned by Noorderlicht Photofestival 2015 and NEPN, and is an elaboration of his long-term ethnographically informed transnational research project, THE MARKET, focusing on the functioning and condition of the global markets. This continues a cycle of multi-media projects beginning in the late 1990s addressing the predatory context resulting from flows and migrations of global capital.

Supported by Arts Council of Ireland & curated by Helen Carey, THE MARKET has been presented at Gallery of Photography, Dublin (2013), Belfast Exposed Gallery (2013) & Centre Culturel Irlandais, Paris (2014). An extensive exhibition, titled The Economy of Appearances was presented at Limerick City Gallery of Art (LCGA), Ireland in Autumn 2015 and nominated by Christiane Monarchi, Photomonitor (UK) for the Deutsche Börse Photography Award 2016. Future installations are confirmed for the UK & France in 2016/17 and a full publication of THE MARKET is planned.

https://lockout2013.wordpress.com

https://vimeo.com/user6725215

Image: ©Mark Curran

Financial Surrrealism (World Trade Center II)
Zuidas Financial District
Amsterdam, Netherlands, 2015

From THE MARKET (2010-)