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DEVELOP Graduate – Professional Development Event

DEVELOP Graduate is a two-day professional development event organised by graduating students from the Northern Centre of Photography with NEPN.

The event has been co-designed to support emerging photographers, offering a space to think about next steps and build professional networks.

The programme comprises a keynote photographer talk by Hannah Starkey on the evening of Thursday 28 June and a full day of talks and discussion on Friday 29 June, with contributions from photographers including Liza Dracup, John Kippin, Sarah Pickering, Helen McGhie and Othello De’Souza-Hartley as well as curators including George Vasey.
Speaker Bios HERE

 

PROGRAMME 

Thursday 28 June, 6.30-8.30pm.
Photographer Talk with Hannah Starkey, followed by preview of the John Kippin exhibition ‘Based on a True Story, Works 1984-2018′ and book launch at Northern Gallery for Contemporary Art.

Friday 29 June 2018, 9.30-6pm.
Photographer talks; panel discussions offering photographer/commissioner/curator perspectives on topics including:  balancing personal and commercial projects; commissioner/curator perspectives; building a community of practice.

Venue: Hope Street Xchange, Sunderland.

Advance registration is essential.  Please click here to book.

Attendance costs £20 which is highly subsidised by the Higher Education Academy, NEPN and University of Sunderland Development Trust.
NEPN is the recipient of a national award in recognition of its work in connecting pedagogy and professional practice, engaging students of the Northern Centre of Photography with the photographic and wider cultural sector and NEPN’s offer.  The Collaborative Award for Teaching Excellence was awarded by the Higher Education Academy.

For information please email:  nepn@sunderland.ac.uk

Image: Helen McGhie, Wanderer 2017

 

Bläue (Blueness) by Kerstin Schroedinger

NEPN and Breeze Creatives present a screening of Bläue (Blueness), a film by artist Kerstin Schroedinger on Wednesday 7 March at 6.30pm at Bamburgh House, Newcastle. Following the screening there will be a Q&A with the artist.

Juxtaposing images of the production sites of the pharmaceutical-chemical industry with speculations on the historical, social, and material conditions of Cyanotype photography, Bläue (Blueness) probes into the (gendered) politics of materiality and the (violent) historicities of its form.
 The film follows a figure that proceeds through the stages of exposing and developing a Cyanotype. They revisit sites in Seveso, Italy, and Basel, Switzerland that both relate directly to the history of Prussian Blue, a blue synthetic dye.
In the latent period, when the images are exposed but not developed yet, the figure searches to define their body as both commodity and consumer of pharmaceutical products. This body is modelled on the productive body of Fordist labour. Yet like the industrial sites that appear as remnants of an older mode of production, this body has been fundamentally reconfigured to conform to post-industrial working conditions.
Subsequently, the figure aims to perform against pharmaceutical substances and prepare against a neoliberal take-over of their movements, lingering between the roles of researcher, scientist, athlete, pharmacist, patient, woman. (Schroedinger, 2017). 

Bläue (Blueness) was supported by and premiered at Berwick Film & Media Arts Festival in 2017.

Where: 8th Floor, Bamburgh House, Market Street East, Newcastle upon Tyne, NE1 6BH.  Bamburgh House is fully accessible.  All welcome. FREE. Film duration 48 mins followed by Q&A.

Kerstin Schroedinger is an artist based in Berlin working in film/video, sound and performance. Kerstin’s historiographic practice questions the means of image production, historical continuities and ideological certainties of representation. Schroedinger is a member of feminist film distribution group Cinenova in London. 
Her work has been shown at the Whitney Museum of American Art, Anthology Film Archives New York, Images Festival Toronto, Short Film Festival Oberhausen, International Film Festival Toronto, Gasworks London, and exhibited at MIT List Visual Arts Center Boston, Photo Cairo #6, Les Complices* Zürich, The School of Kyiv – 2nd Kiev Biennale, Kunstpavillion Innsbruck, amongst other places.

 

 

Video of ‘Joseph Swan and Photography in Sunderland’ event

Nat Wilkins of Canny Productions produced this smashing film which gives a sense of the mood and magic of our Joseph Swan and Photography in Sunderland event which was held in February in partnership with Breeze Creatives.  Our Victorian Athenaeum evening combined ‘learning and entertainment’, with photographic talks, demonstrations of old and new photographic processes and work by photographic artists Karolina Maciagowska, Andy Martin, Lucy Carolan and Richard Glynn of The Lostness Club and students of the Northern Centre of Photography.

‘Most people know Joseph Swan as the inventor of the incandescent light bulb. But he was also a photography entrepreneur and businessman, with connections far and wide. We’re celebrating this story in Sunderland, the town where he was born and grew up and where he encountered photography for the first time.’

The event formed part of a collaboration between Breeze Creatives and Sunderland BID who presented three events in the Athenaeum Building on Fawcett Street, Sunderland as joint-winners of Sunderland’s 10×10 project connecting cultural and commercial partners.  More on the event here

Sunderland Photo-Walk

BBC Get Creative Weekend - Sunderland 8 April 2017

To coincide with BBC’s Get Creative weekend, Sunderland is hosting a Get Creative day on 8 April 2017 and NEPN is organising a Photo-Walk open to photographers of all abilities.

Join photographic and participatory artist Nicola Maxwell on a walk around Sunderland to explore the overlooked in our urban environment.
Bring your own camera – compact, SLR or mobile phone – or simply come along for the conversation.

More information including booking HERE

#GetCreative #Sunderland2021 #SunderlandPhotoWalk

Photographic Residency and Exhibition: Song-Nian Ang

NEPN & Northern Centre of Photography at the University of Sunderland are delighted to welcome Singaporean artist Song-Nian Ang to Sunderland in March 2017.

Song-Nian will undertake a short residency, hosted by NEPN and the Northern Centre of Photography and will have access to the full range of chemical and digital darkrooms and facilities of the centre.  Song Nian will also present a work in progress exhibition at the University’s Priestman Gallery, 1st Floor Priestman Building, Sunderland which will open with a talk from Song on Monday 27 March, 6-8pm.  The exhibition continues to 28 April.  

In Sunderland, Song-Nian will be developing an iteration of his project ‘Hanging Heavy on my Eyes’ which explores the visualisation of air pollution, using the daily average recordings of particulate matter 2.5 (PM2.5) over a period of time to inform the production of silver gelatin prints, with each work responding to an individual day’s statistics.  In Singapore the work recalls the artist’s experience of discomfort and the unease of reduced visibility, the abstract nature of the work both referencing the hidden impact of forest fires and the ‘haze’ caused by this.

Song-Nian’s visit is supported by Nanyang Technological University (Singapore), University of Sunderland and Arts Council England.

Song-Nian Ang (b. 1983, Singapore) works with found materials and traces of human behaviour, seeking to make them visible through photographic documentations and installation. Intrigued by the representation of thoughts and ideologies through visuals, he employs a microscopic approach to concepts and narration.  His recent exhibitions include Hanging Heavy on my Eyes, presented at DECK as part of the Singapore Biennale 2016 (https://deck.sg/), Unearthed at the Singapore Art Museum, Engaging Perspectives at the Centre for Contemporary Art (Singapore). He has exhibited in the Photo Espana Festival (Spain), Lianzhou International Photo Festival (China), Dali International Photo Festival (China), Gallery Jinsun (Seoul, South Korea), Hanmi Gallery (London) and the Institut d’Estudis Ilerdencs (Lleida, Spain).

Song-Nian’s works has been awarded the Winner for Photography in the Noise Singapore 2012, selected for the top 30 finalists in the Sovereign Asian Art Prize in both 2011 and 2014, eCrea Award (Spain, 2010) and honourable mentions in Magenta Foundation Flash Forward (UK, 2010) and Association of Photographers Awards (UK, 2010). In 2012, he was awarded the International Graduate Scholarship for his graduate studies at the London College of Communication, University of the Arts London.  Song Nian is represented by 2902 Gallery.

Priestman Gallery, Priestman Building, University of Sunderland is open 9.00am to 9.30pm Monday to Thursday and 9.00am to 6.30pm on a Friday.  The building will be closed Friday 14 and Monday 17 April. 

Image: Ang Song Nian, Hanging Heavy On My Eyes, installation at DECK, Singapore ©Marvin Tang

 

 

 

Beyond the Visible: Contemporary Visualizations of Loss, Illness and the ‘Unseen’ in Representations of the Family

Image: The Family Curse, Natalie Laydon 

23 March 2016, 1.00pm – 6.45pm, The Northern Charter, Commercial Union House, 39 Pilgrim Street, Newcastle upon Tyne, NE1 6QE

The Northern Charter  & The Family Ties Network in association with NEPN present a study day which will consider how photography is being used to create visual conversations around the lived experiences of illness, loss, medical conditions and the ‘unseen’ within representations of the family. Photography is a difficult medium when it comes to photographing something that is not always visible. The particular visual strategies adopted by the artists explore a range of approaches for circumnavigating the challenges this presents.  Their work raises questions as to how we see (or don’t see) these lived experiences. More than this, through their exploratory visual strategies, such practices are asking if it is possible to perceive – and therefore understand – such experiences and conditions differently?

As well as talks by our speakers, a range of graduates and current students of the Northern Centre of Photography, University of Sunderland will be showing portfolios of work that connect with the day’s themes. There will also be a chance for informal discussion and dialogue around this important subject.

Speakers:
Rosy Martin, Arabella Plouviez, Sophie Ingleby, Sarah Tulloch and Marjolaine Ryley

Chairs: Nicky Bird and Carol McKay

Venue: Northern Charter, 5th Floor, Commercial Union House, 39 Pilgrim Street, Newcastle, NE1 6QE

This is a free event however booking is essential HERE 

Schedule:

1.00–1.30pm           Register  / Folios on View

1.30                   Welcome

1.45-2.15           Sophie Ingleby

2.15-2.45           Arabella Plouviez

2.45-3.00          Chaired Q & A with Nicky Bird

3.00-3.30       Break / Folios on View

4.00-4.30          Marjolaine Ryley

4.30-5.00          Sarah Tulloch

500-5.15            Chaired Q & A with Nicky Bird

5.15-5.30        Break / Folios on View

5.30-6.15           Rosy Martin

6.15-6.45           Chaired Q & A with Carol McKay

6.45-7.45         Drinks and an informal launch of ‘Image Object’ by Sarah Tulloch and ‘The Thin Blue Line, The Deep Red Sea’ by Marjolaine Ryley will follow the main event. All welcome.

 

Speaker Biographies

Rosy Martin

Rosy Martin is an artist-photographer, psychological-therapist, workshop leader, lecturer and writer. She explores the relationships between photography, memory, identities and unconscious processes using self-portraiture, still life photography, digital imaging and video. From 1983, with Jo Spence, she pioneered re-enactment phototherapy. She has exhibited internationally and published widely since 1985. Her work has explored issues including gender, sexuality, ageing, class, desire, memory location, urbanism, family dynamics, shame, health and disease, bereavement, grief and reparation. Recent publications include essays in ‘The Photograph and the Album’ 2013, ‘Phototherapy and Therapeutic Photography in a Digital Age’ 2013 and ‘Ageing Femininities, Troubling Representations’ 2012. Recent exhibitions include: ‘Focus Photography Festival’ Mumbai, 2013, ‘Il Corpo Solitario’ Perugia, 2014 and Peltz Gallery London in ‘Family Ties: Reframing Memory’, Tate Britain, 2015-6 and Stills Edinburgh, 2016. www.rosymartin.co.uk

In ‘Too close to home?’ Rosy will examine the challenges she faced in attempting to represent her mother’s dementia. Then the task of ‘curating the museum of sources’, somehow finding visual strategies to reflect her grief and sense of losses as she faced dismantling the family home, alone. In ‘Acts of Reparation’ she used the process of re-enactment phototherapy to replace her parents, in their home and honour the memory of who they had been.

 

Sarah Tulloch

Graduating from Bristol School of Art and Design with First Class Honours in 2005, Tulloch was then awarded the UWE/Spike Island Fellowship 2006-7 and a Small Wonders Award with Picture This. In 2009 Tulloch gained an MFA with distinction from Newcastle University. She has exhibited in the UK and internationally including Rotterdam International Film Festival, Berwick Film and Media Festival, Plus Arts Projects, London, Motorcade/Flashparade, Bristol, Spike Island, Bristol, Baltic 39, Newcastle upon Tyne and Bergby Konst Centre, Sweden. The series, ‘Newspaper heads’ was shortlisted for Jerwood Encounters: Family Politics. In 2015 Sarah was commissioned by New Trust Arts to make a three channel video installation at Biddulph Grange Gardens, Stoke. Sarah is currently working with Daylight books on her first artists’ book ‘Object Image’. Forthcoming exhibitions in 2017 include Platform A gallery, Middlesborough and The New Bridge Project, Newcastle with fellow artists Annie O’Donnell and Katy Cole and a solo show at The Bonnafont gallery, San Francisco. www.sarahtulloch.co.uk

For her talk Sarah will discuss the work Object Image which interrogates both the material fabric of the image, the object, and the image content of the photographic subject.

 

Sophie Ingleby

Sophie is a portrait and documentary photographer based in the North East of England. She is currently working on SEED: images exploring fertility treatment. She has an MA in Photography, with distinction, from Sunderland University. Her first body of work Known/Unknown was exhibited in a solo exhibition at Aberdeen Art Gallery in 2010, and led to being selected as an Emerging British Photographer by the Canadian Publisher Magenta in 2011. In 2016, She was selected for the NEPN DEVELOP Award. Exhibitions include: Flash Forward ‘Emerging Photographers’ Flash Forward Festival, Boston, USA, 2012 and Toronto, Canada, 2011; ‘Known/Unknown’ Aberdeen Art Gallery, 2010, ‘Works of Revelation’ Vardy Gallery, Sunderland, 2010 and ‘Renaissance Photography Prize’ Mall Galleries, London, 2010. www.sophieingleby.com

Sophie will discuss S E E D a photographic insight into fertility treatment. The project explores different aspects of IVF through a series of portraits, conceptual photographic works and documentary imagery from Newcastle Fertility Centre at LIFE. The work aims to increase awareness and understanding of fertility treatment.

 

Arabella Plouviez

Arabella is a practising photographer whose work has been exhibited and published both nationally and internationally. Her work involves the combining of image and text to visualise ideas and challenge the expectations of the photograph, working with different communities. Specifically, her work has explored areas from mental illness and criminality to the representation of women and, more recently, Alzheimer’s disease. Alongside her practice, Arabella writes about photography, often in collaboration with her colleague Dr Carol McKay. This work includes the co-editing of the book ‘The Versatile Image: Photography, Digital Technologies and the Internet’ 2013, looking specifically at the role of photography in the networked world. Arabella has, with colleagues, been instrumental in setting up NEPN (http://www.northeastphoto.net), a regional photography development and research agency, which encourages and engages the development of debate around high quality, critically engaged photography. Arabella is Professor of Photography and Academic Dean in the Faculty of Arts and Creative Industries, University of Sunderland. www.photography-at-sunderland.co.uk/ArabellaPlouviezweb/index.html

For her talk Arabella will present ‘Alzheimer’s: A Quiet Story’ which considers how, through the confusion of Alzheimer’s disease, the everyday becomes out of reach, the immediate gets lost and the individual works hard to understand the confusion of others. This work takes a domestic environment which has been lived in for a lifetime and the medium of photography which we so often use as our memory to explore some of the ways in which our brains get lost through this illness.

 

Marjolaine Ryley

Marjolaine Ryley has exhibited and published her work both nationally and internationally including exhibitions at Impressions Gallery, Bradford, Street Level Photoworks, Glasgow, The Palacio des Artes, Porto and Wolverhampton Art Gallery, West Midlands. Publications include ‘Villa Mona – A Proper Kind of House’ Trace, 2006 and ‘Growing up in the New Age’ Daylight, 2013. Ryley’s recent publication ‘The Thin Blue Line, The Deep Red Sea’, NEPN, 2015 explores the often invisible experience of miscarriage through photography and creative writing. This project was funded through Arts Council England and was undertaken in collaboration with The Miscarriage Association Charity where she undertook a year as their Artist in Residence. Ryley is currently working on a new Arts Council Funded project ‘A Gardener’s Daughter’ in collaboration with Dilston Physic Garden, NGCA and The National Trust, exploring the relationship between gardens/plants and health/well-being. www.agardenersdaughterblog.wordpress.com

Ryley’s work is held in the collections of the V&A and Serralves museum. www.marjolaineryley.co.uk

For her talk Marjolaine will discuss the development of her work ‘The Thin Blue Line, The Deep Red Sea’ which examines the ways miscarriage and pregnancy loss have been explored (and ignored) in arts and culture.

 

Chairs

Dr Carol McKay is Senior Lecturer in History and Theory of Photography at the University of Sunderland and Programme Manager of the North East Photography Network. Carol led the team that recently won the Collaborative Award for Teaching Excellence at the Higher Education Academy for NEPN’s work with the Northern Centre of Photography.

Nicky Bird is an artist whose work considers the contemporary relevance of found photographs, and hidden histories of specific sites, investigating how they remain resonant. In varying ways she incorporates new photography with oral histories, genealogy, and collaborations with people who have a significant connection to the original site, archive or artefact. From 2007, her work has become increasingly preoccupied with the themes of photography, archives, land & narratives of placemaking. These narratives often include the ‘unmaking’ of place whether through economic decline and regeneration.

 

The Northern Charter is a space for contemporary art in Newcastle upon Tyne. The Northern Charter is an artist-led organisation and we provide spaces for artists and art organisations to make, show and curate contemporary art.
The Northern Charter is based in Commercial Union House in Newcastle city centre. We have created thirteen workspaces and a project space within this purpose built office building. The Northern Charter is developing a public programme of events that will support and encourage thinking and talking about contemporary art. Our project space is a large and flexible creative space and will be used for performances, talks, screenings and other events. www.thenortherncharter.org

The Family Ties Network is a research group of artists, filmmakers and writers who explore memory, space, place and the family in photography and moving image. Through events, conferences, exhibitions and publications, they aim to investigate a range of issues, encompassing the visual representation of family memories, the family album, oral history, bereavement, displacement, estrangement and the family home. Co-ordinators of The Family Ties Network include Dr. Suze Adams (University of the West of England), Nicky Bird (Glasgow School of Art), Jacqueline Butler (Manchester Metropolitan University), Rosy Martin (Independent artist/researcher), Lizzie Thynne (Sussex University) and Dr. Sally Waterman (Ravensbourne, London).
https://familytiesnetwork.wordpress.com

 

Pop-Up ‘Punk Photo Studio’ with Kuba Ryniewicz

Sunderland Museum & Winter Gardens, Saturday 18 February 2017, 11.00am-3.00pm.

NEPN will be popping up at Sunderland Museum & Winter Gardens with photographer Kuba Ryniewicz in a participatory ‘Punk Photo Studio’.

Commissioned by Sunderland Libraries Service, the studio is programmed in conjunction with the British Library ‘Punk 1976-78′ Exhibition (3 December 2016 – 26 February 2017).

Re-appropriated images from Sunderland’s Local Studies Collection and news stories from Sunderland’s past will be merged with portraits of visitors to the museum and library, creating individual, unique encounters of Sunderland’s past and present.   Kuba has explored the living history of the city of the late 1970s and 1980s to spark a dialogue about the life of the collection and its growth and contemporary relevance. This new commission draws on the library’s photographic archive to playfully celebrate the resilience and independent spirit of the city and its citizens.

Like a fashion director, Kuba will invite visitors to have their portraits taken, instructing them to adopt various mysterious postures and gestures and photographing them against a blank white studio backdrop. These will be transformed into photographic souvenirs to be taken away.   All images created will also be placed back into the Local Studies Collection.

There will also be a #PunkPhotoStudio selfie station located in the museum!

Image top: ©Kuba Ryniewicz

                       

Joseph Swan and Photography in Sunderland

NEPN and Breeze Creatives are pleased to present an event with a difference about Joseph Swan and Photography in Sunderland on Wednesday 1 February at 6pm – 8pm at the Athenaeum Building, 27 Fawcett Street, Sunderland, SR1 1RE.

Most people know Joseph Swan as the inventor of the incandescent light bulb. But he was also a photography entrepreneur and businessman, with connections far and wide. We’re celebrating this story in Sunderland, the town where he was born and grew up and where he encountered photography for the first time.

Join us for a Victorian Athenaeum evening, where we will combine ‘learning and entertainment’, with (brief!) photographic talks, demonstrations of old and new photographic processes and the opportunity to chat and socialize. It’s our version of ‘steampunk’ photography: 19th century techniques and inventions with a contemporary twist.

Bring your cameras and mobile phones to help us celebrate this story and find out more about how Joseph Swan is inspiring a new generation of photographers, artists and historians in the North East.

Featuring:

Artist Karolina Maciagowska will demonstrate her new work with the collodion process.

Lucy Carolan and Richard Glynn invite you to experience their ‘Lostness Cycles’: kinetic, interactive photographic works that investigate crossovers between digital and traditional practices.

A chance to view portraits created by Andy Martin using collodion process and a Mawson and Swan camera dated from 1880-1890s.

Try out our Victorian Selfie-Station.

Architecture and design historian Michael Johnson will talk about the history of The Athenaeum Building and Fawcett Street.

NEPN Programme Manager and Senior Lecturer at the Northern Centre of Photography at University of Sunderland, Carol McKay, will introduce a new photography research project by the Northern Centre of Photography.

Paul Cordes, Founder of the Newcastle Photography Festival, will talk about Joseph Swan’s many photographic patents and the processes that inspire him.

 “It’s great to be doing this event in Sunderland’s Athenaeum Building, for it was here that Swan came first as a young apprentice chemist to find out about the brand new science of photography. Here in Sunderland he was inspired to make his first photographic experiments”. (Carol McKay, Programme Manager, NEPN)

Produced by Breeze Creatives and NEPN.

With special thanks to students and staff at the Northern Centre of Photography, University of Sunderland.

This event is part of a collaboration between Breeze Creatives and Sunderland BID who are showcasing three events in the Athenaeum Building on Fawcett Street, Sunderland. As joint-winners of Sunderland’s 10×10, the events will act as taster events, keeping the vibrancy of Sunderland city alive into the evening. To celebrate the Athenaeum building the events, under the umbrella of ‘Athenaeum Nights’ also include; an exhibition which plays and responds to the scale of the space, and ‘Babble: Three-Legged Chair’; a rising talent of young artists, including Charlie Dearnley and Adam Goodwin, join to create an improvisational group exploring a conversation between music, dance and live visuals.

Please note the Athenaeum Building is an historic space in early stages of redevelopment. It is accessed via stairs to the first floor and is unfortunately not accessible for wheelchair users.

Image top: ©Karolina Maciagowska

Image below: Park MkII from The Lostness Cycles ©Lucy Carolan and Richard Glynn

 

                           

          

Photographer Talk: Sophie Gerrard

NEPN is proud to welcome Sophie Gerrard to Newcastle to speak about her practice on Wednesday 7 December at 6.30pm at the Mining Institute, Neville Hall, Westgate Road, Newcastle, NE1 1SE.

The talk will start at 6.30pm prompt in the Lecture Theatre and will be followed by drinks and informal conversation in the Library until 8.30pm.

The talk is free but please book via the eventbrite link to secure your place HERE.

Sophie Gerrard (Scottish, b.1978) is an award-winning photographer specialising in contemporary documentary stories with environmental and social themes.

Sophie began her career in environmental sciences before studying photography at Edinburgh College of Art followed by an MA in Photojournalism and Documentary Photography at London College of Communication.

Her first major project, E-Wasteland was awarded a Jerwood Photography Award, a Fuji Bursary, and a Magenta Fast Forward Award. She has since been shortlisted and nominated for the Prix Pictet Award several years running and the 2015 Remote Photo Prize.

Sophie’s editorial and long term personal work has been published widely by clients including The Guardian, The Telegraph Magazine, FT Magazine, The independent on Sunday Magazine, Esquire Magazine, Foto8, The British Journal of Photography, Portfolio Magazine, Scotland on Sunday, Lucky Peach, Le Monde and many others.

Solo and group exhibitions include The Fox Talbot Museum (2016/17), The Scottish National Portrait Gallery (2015), Brighton Photoworks Biennial (2014), Impressions Gallery, Bradford (2014), Street Level Gallery (2014), Scotland House, Brussels (2014), Unseen Amsterdam (2013), Flowers East Gallery (2008), The Arbetes Museum (2008), Paris Photo (2008) and the Photographers’ Gallery (2012/13). Her work is held in a number of collections including St Andrews University Special Collection, The National Galleries of Scotland, Couttes Bank private collection, StatOil Collection and the Sir Elton John private Collection.

In 2012 Sophie co-founded Document Scotland, a collective of internationally acclaimed photographers dedicated to chronicling the social, cultural and economic life in Scotland.

Sophie is a lecturer in photography at Edinburgh Napier University and a member of the board of trustees for Impressions Gallery in Bradford.

Sophie’s work has been published in several books including “New Light” The Jerwood Foundation (2009), “Tunnock” Cafe Royal Books (2015), “The Bigger Picture”, Impressions Gallery (2015) and “Compassion, Commitment, Community” The Savitri Waney Charitable Trust (2013).

Sophie is represented by The Photographers’ Gallery in London.

https://sophiegerrard.com

http://www.documentscotland.com

Image: Blackfaced Ewes with wind turbines, Lauder, 2013. ©Sophie Gerrard from the series Drawn to The Land.

Please note that disabled access to the Lecture Theatre is gained at the rear of the building and it is best to telephone the Mining Institute ahead on (0191) 232 2201.

Photographer Talk: Mark Curran

NEPN is pleased to welcome Mark Curran to Newcastle to speak about his photographic practice on Wednesday 16 November at 6.30pm at the Mining Institute, Neville Hall, Westgate Road, Newcastle, NE1 1SE.

The talk will start at 6.30pm prompt in the Lecture Theatre and will be followed by drinks and informal conversation in the Library until 8.30pm.

The talk is free however booking is requested HERE

Mark Curran is an artist researcher and educator who lives and works in Berlin and Dublin. He holds a practice-led PhD from the Dublin Institute of Technology, is Lecturer on the BA (Hons) Photography programme, Institute of Art, Design & Technology (IADT), Dublin and Visiting Professor on the MA in Visual & Media Anthropology, Freie Universität Berlin.

Incorporating multi-media installation informed by ethnographic understandings, since the late 1990s, Curran has undertaken a cycle of long-term research projects, critically addressing the predatory context resulting from the migrations and flows of global capital. These have been extensively published and exhibited, including DePaul Art Museum, Chicago (2010), Encontros da Imagem, Braga (2011), PhotoIreland, Dublin (2012), Grimmuseum, Berlin (2013) & FORMAT, Derby (2013). He has also presented widely including The Photographers’ Gallery, London (2012), Irish Museum of Modern Art (IMMA) (2013), Abbey Theatre, Dublin (2014), McGill University, Montreal (2014), Royal Anthropological Institute, London (2015), University of Ljubljana (2015), University of Bern (2015), Glucksman Gallery of Art (2016) & Boston University (2016).

Mark Curran’s The Economy of Appearances was commissioned by Noorderlicht Photofestival 2015 and NEPN. Sited in the new financial district of Zuidas on the outskirts of Amsterdam, the work focuses on the Netherlands role in global structures of High Frequency Trading (HFT) and Shadow Banking. It is an elaboration of his long-term transnational research project, THE MARKET, focusing on the functioning and condition of the global markets.Taking the sphere out of abstraction and positioning it as a pervasive force central to our lives, themes include algorithmic machinery of financial markets, as central innovator of this technology, absorption of crises as normalisation of deviance, and long-range mapping and consequences of financial activity distanced from citizens and everyday life.

Supported by Arts Council of Ireland & curated by Helen Carey, THE MARKET has been presented at Gallery of Photography, Dublin (2013), Belfast Exposed Gallery (2013), Centre Culturel Irlandais, Paris (2014) and Noorderlicht, Groningen (2015). An extensive exhibition, titled The Economy of Appearances was presented at Limerick City Gallery of Art (LCGA), Ireland in Autumn 2015 and nominated by Christiane Monarchi, Photomonitor (UK) for the Deutsche Börse Photography Award 2016. Extracts from the project feature in a group exhibition on mapping global networks of capital titled, I Stood Before The Source currently installed at the Blackwood Gallery, Toronto, Canada. Future installations are confirmed for the UK & France in 2016/17 and a full publication of THE MARKET is also planned.

https://lockout2013.wordpress.com

https://vimeo.com/user6725215

http://www.disphotic.com/market-interview-mark-curran/

Please note that disabled access to the Lecture Theatre is gained at the rear of the building and it is best to telephone the Mining Institute ahead on (0191) 232 2201.

Image: ©Mark Curran

Financial Surrrealism (World Trade Center II)
 Zuidas Financial District

Amsterdam, Netherlands, 2015

From THE MARKET (2010-)