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BALTIC Artists’ Book Fair: NEPN Participation

Wideyed, 'Foreign Bodies' photographer's book

Image credit: Wideyed, 'Foreign Bodies' photographer's book

Friday 14 & Saturday 15 June 2013 / 10.00 – 18.00

For two days only, BALTIC Centre for Contemporary Art plays host to a national two-day Artists’ Book Fair.   The North East Photography Network has been invited to participate by organiser Theresa Easton and is delighted to take this opportunity to showcase the vibrancy of contemporary photography book-work.  NEPN is pleased to be partnering with Side Gallery and photographer/producer Aaron Guy on the production of the event.

We are interested in presenting high quality publications and editions, reflecting the breadth of practice in this area from handmade books, zines, newspapers, published and self-published issues, to the more traditional ‘photobook.’

Digital Photobook presentation, 10.30-11.30am, Level 1 Cinema Space
There will be a screening presenting new forms of digital publishing at 10.30-11.30 on both days in the Cinema space.

Photography ‘reading group’ discussion, Saturday 16 June, 3-4pm, Level 1 Cinema Space
Join us for a discussion around traditional and new forms of photographic publishing in our ‘photo lounge.’  All welcome.

Participation
Tables are available for collectives, artists, publishers and distributors.   Tables will need to be ‘manned’ at all times where sales are desired. Table sizes are 90x180cm.

We are also able to showcase up to 3 publications per individual photographer/artist on independent tables.  These cannot be sold on the day, unless the creator or representative is present, however business cards/information can be displayed and connections made to potential buyers.

In line with the wider event, there is a submission process in place.  Individual book submissions are free; however SAEs must be included if they are to be returned.  If not they will be donated to BALTIC Library and Archive or NEPN.

We have extended the deadline for publication submissions to 3 June 2013. Please get in touch with any queries.

Please provide the following information (please do not send publications at this point) by email to: amanda.ritson@sunderland.ac.uk

  • Press/Publisher/Collective/Photographer name (table request)
  • Photographer/Artist name (individual submissions)
  • Details of works you wish to present including brief information on format, dimensions, content, title(s).
  • Short Description of your practice or press.
  • Up to 5 low res images of the work or those reasonably representative of your work
  • Full contact details including email address, website/social media
  • How did you find out about the artists’ book fair?

Volunteers Required!
We are also looking for volunteers to help us with the invigilation and organization of the event. If you are interested in contemporary photo book works and practice or being involved with cultural events please get in touch: amanda.ritson@sunderland.ac.uk Half day time slots will be allocated which means there is no need for you to miss out on enjoying the rest of the Fair.  Volunteers will need to attend a briefing with BALTIC staff on 31 May, further details will be provided by NEPN once your expression of interest is received.

Background
BALTIC celebrates the Festival of the North East and becomes a market place of exhibiting bookstalls within Quay on Level 2, with additional opportunities to have a go at bookmaking and experience some Bibliotherapy from Lucy May Schofield in a Citroen Van and mobile library. Also on display is The Sunderland Book Project offering visitors the chance to explore the city through the medium of artist’s books; The Book Apothecary, a travelling museum of book art encased in suitcases, as well as sculpted bookwork from Cleveland College of Art. The Festival of the North East is a month long celebration of the region’s creativity and innovation, jam packed with over 200 events happening in every part of England’s North East during June 2013.

More information on the project can be found at: http://theresaeaston.wordpress.com/baltic-artists-book-fair-14th-15th-june-2013/

 

BALTIC Artist’s Book Fair – NEPN Participation

Friday 14 & Saturday 15 June 2013, 10:00-18:00pm
BALTIC Centre for Contemporary Art
Gateshead

For two days only, BALTIC Centre for Contemporary Art plays host to a national two-day Artist’s Book Fair.   The North East Photography Network has been invited to participate by organiser Theresa Easton and is delighted to take this opportunity to showcase the vibrancy of contemporary photography book-work.

NEPN is interested in presenting high quality publications and editions, reflecting the breadth of practice in this area from handmade books, zines, newspapers, published and self-published issues, to the more traditional ‘photobook.’

Tables are available for collectives, artists, publishers and distributors.   Tables will need to be ‘manned’ at all times where sales are desired. Table sizes are 90x180cm.

We are also able to showcase up to 3 publications per individual photographer/artist on independent tables.  These cannot be sold on the day, however business cards/information can be displayed and connections made to potential buyers.

In line with the wider event, there is a submission process and tables will be charged at £60.  Individual book submissions are free; however SAEs must be included if they are to be returned.  If not they will be donated to BALTIC Library and Archive or NEPN.

Deadline Friday 26 April 2013.

Please provide the following information (please do not send publications at this point) by email to: amanda.ritson@sunderland.ac.uk
·      Press/Publisher/Collective/Photographer name (table request)
·      Photographer/Artist name (individual submissions)
·      Details of works you wish to present, including brief information on format, dimensions, content, title(s).
·      Short Description of your practice or press.
·      Up to 5 low resolution images of the work or those reasonably representative of your work
·      Full contact details including email address, website/social media
·      How did you find out about the artists’ book fair?

Successful applicants will be notified by 3 May 2013.

Background
BALTIC celebrates the Festival of the North East and becomes a market place of exhibiting bookstalls within Quay on Level 2, with additional opportunities to have a go at bookmaking and experience some Bibliotherapy from Lucy May Schofield in a Citroen Van and mobile library. Also on display is The Sunderland Book Project offering visitors the chance to explore the city through the medium of artist’s books; The Book Apothecary, a travelling museum of book art encased in suitcases, as well as sculpted bookwork from Cleveland College of Art. The Festival of the North East is a month long celebration of the region’s creativity and innovation, jam packed with over 200 events happening in every part of England’s North East during June 2013.
More information on the project can be found at: http://theresaeaston.wordpress.com/baltic-artists-book-fair-14th-15th-june-2013/

A PDF for the event is available for download here

NEPN Reading Group: John Darwell at Hatton Gallery

John Darwell, Bag in Fence from Hannover (from After Schwitters).

11 April 2013, 6.00-7.30pm
The Hatton Gallery
Newcastle upon Tyne 

Join us at The Hatton Gallery to meet John Darwell to discuss his current exhibition ‘After Schwitters.’  


The ‘Reading Group’ format invites informal discussion, reflections and refreshments.

John Darwell has travelled to sites particularly relevant to the life and work of Kurt Schwitters including Elterwater, the Isle of Man, Hanover and Norway to produce his own photographic responses to these places.  The results are exhibited at The Hatton Gallery until 20 April 2013.

The Hatton Gallery is home to Kurt Schwitters’ Merzbarn wall, which is on permanent display at the gallery.   The event is programmed in partnership with The Hatton Gallery.

Places are free but limited, so please book HERE 
John Darwell is an independent photographer working on long-term projects that reflect his interest in social and industrial change, concern for the environment and issues around the depiction of mental health.

To date he has had seven books of his work published, of which the most recent are ‘Dark Days’ (Dewi Lewis Publishing 2007) documenting the impact of foot and mouth disease around his home in north Cumbria, and a twenty five year retrospective ‘Committed to Memory’ (Tullie House Museum & Art Gallery 2007).

Previous books include ‘Legacy’ (Dewi Lewis 2001) an exploration of the Chernobyl Exclusion Zone, and ‘Jimmy Jock, Albert & the Six Sided Clock’ on the Port of Liverpool (Cornerhouse 1993).

His work has been exhibited, and published, widely both nationally and internationally, including numerous exhibitions in the UK, the Netherlands, Italy, the USA, (Houston Foto Fest, New York and San Francisco) Mexico, South America and the Canary Islands, and is featured in a number of important collections including the National Museum of Media/Sun Life Collection, Bradford; the Victoria & Albert Museum, London and the Metropolitan Museum of Art, New York.

In 2008 he gained his PhD for research into the visualisation of depression for his work entitled ‘A Black Dog Came Calling’. He is currently Senior Lecturer in Photography at the University of Cumbria in Carlisle.

www.johndarwell.com

The Social: Encountering Photography

Image credit: ©Simon Roberts, Sunderland vs. Liverpool, Sunderland, Tyne and Wear, 16 August 2008 from the series We English

 

The Social: Encountering Photography

The North East Photography Network (NEPN), along with key partner, the Northern Gallery for Contemporary Art, has announced the first international celebration of photography in the North East from 18 October – 15 November 2013.

‘The Social: Encountering Photography’ will create a dynamic exchange of photographic practice and experimentation, embracing varied social contexts and activities.  The event will provide opportunities for engagement with high quality lens-based practice in ways that are accessible and relevant to a broad public, and will attract regional and national tourism.  It will bring artists and artworks of national and international stature to the region, whilst creating opportunities for regionally based photographers to exhibit their work.

Sunderland will be the creative hub of the event, enabling NEPN to collaborate with a range of cultural and business partners, including the new Northern Centre of Photography at the University of Sunderland, Sunderland Museum & Winter Gardens, The Bridges Shopping Centre and the National Glass Centre.

Partnerships with Durham Art Gallery, the Mining Institute, Side Gallery, PH Space, amongst others, will extend the reach of the event across the region.

‘Encountering Photography’ will see the photographic activation of social spaces both inside and outside, private and public.  Through various presentations and installations, on billboards, shop fronts, pavements, cafes and online, the event will map out a temporary cartography of the city through photography.  By placing new photography projects in key public and social spaces, the event will provide easy and chance access, designed to allow for a broader interaction with photographic work and will act as interventions in the daily social and commuting life of the general public.  The event will have at its core a curated group exhibition featuring newly commissioned works alongside important historical and contemporary national and international works. A supplementary programme of professional development will run during the month, providing opportunities for debate, presentation and portfolio review.

NEPN is delighted to announce that we will be working with Simon Roberts on an exciting public realm project. Further commissions will be announced in Spring.

The Social: Encountering Photography will take place 18 October – 15 November, with the opening weekend Friday 18 – Sunday 20 October 2013.

Image credit:  ©Simon Roberts, Sunderland vs. Liverpool, Sunderland, Tyne and Wear, 16 August 2008 from the series We English

Call for Participation: Your chance to get involved

We are now inviting proposals from photographic artists and organisations.

NEPN and the event curatorial team welcome proposals for inclusion in the event programme and photographic work for consideration. 

Photographers may submit contemporary work for consideration which explores concepts in relation to ‘the social’, including (but not limited to):

Social identities
Social mapping
Social networking and community
Social landscapes and territories
‘Anti-social’
Social engineering and design

We will approach ‘the social’ in an expansive and open way, to creatively explore the changing relationships between photography, places and people. The event will be social in delivery as well as in concept and content, exploring the situated, networked, mapping and connecting possibilities of photography today.

6 photographic projects will be awarded a small bursary of £500 to aid project realisation and will be supported by the NEPN and partners.

Individuals and organisations may also submit proposals for events which could be included in the programme and supported where possible in their realisation.

 

How to apply

For photographic work:

Please submit:

-  Project concept (up to 500 words) including thoughts on best presentation methods and context

-  CV

-  JPEG images of the work (if produced) of up to 72DPI or up to 5 images reasonably representative of your work

-  Web links.

By email to: carol.mckay@sunderland.ac.uk and amanda.ritson@sunderland.ac.uk  by 5pm Friday 5 April 2013.

For proposed events or partnership:

Please email: carol.mckay@sunderland.ac.uk and amanda.ritson@sunderland.ac.uk by 5pm Friday 5 April 2013.

 

Selection

Selection will be undertaken by NEPN with Alistair Robinson, NGCA, Lucy Jenkins, Durham Art Gallery and members of the NEPN Advisory Panel. More information on the panel can be found at: http://www.northeastphoto.net/?page_id=2042

The outcome of applications will be communicated by 22 April 2013.

 

Updates

Follow news relating to NEPN’s exciting new event, ‘The Social: Encountering Photography’ a celebration of photography in Sunderland and the NE, at our new blog: http://www.thesocialnepn.co.uk/

BlackLab Commission

19 – 23 September 2012, Berwick Film & Media Arts Festival

BlackLab (Mishka Henner and David Oates) present their newly commissioned work ‘Photographers’ which will be shown throughout the 8th edition of Berwick Film & Media Arts Festival at Shoregate Ice House and receive its world premiere on the occasion of the Festival Opening Gala on Wednesday 19 September at 7pm in the Maltings Theatre.

BlackLab will deliver a talk about the work on Saturday 22 September.  For more information please visit:  http://www.berwickfilm-artsfest.com/events-and-films/68/71/artist-talk-at-the-town-hall

‘Photographers’ is commissioned by NEPN in partnership with Berwick Film & Media Arts Festival.

BlackLab, from Photographers (2012)

Laura Guy Commission Event

4 October 2012, 7.30pm
The Lit & Phil (Music Room)
Newcastle upon Tyne

This Table an Aperture: an illuminated lecture developed by Laura Guy in response to The Lit & Phil as part of a research residency supported by NEPN.

Places are free but booking is required. Please email amanda.ritson@sunderland.ac.uk to secure your place.

NEPN Symposium – 18 May 2012

MIchelle Sank, Untitled from 'The Submerged'

MIchelle Sank, Untitled from ‘The Submerged’

Thank you for joining us for NEPN’s  Third Annual Symposium.  You can find reports from the day from David Campbell here and Gemma Thorpe here.  We hope to make audio of the day available here soon.

Speakers included:  Pauline Hadaway; Bas Vroege; Michelle Sank; Anthony Luvera; Craig Ames; Ben Jones.

Dan Graham: ‘All artists are alike. They dream of doing something that’s more social, more collaborative and more real than art’. (http://artsconnected.org/collection/107477/dan-graham-beyond?print=true )

Is it possible for photographers to realise such dreams? What are the issues facing socially engaged practitioners today? Such questions seem particularly apt in our highly contested social sphere, marked in the UK by Conservative politics and seemingly intractable financial crisis coupled with savage cuts in public spending. Echoes of the 1980s are all too pervasive, with talk of (yet another) ‘lost generation’, rumour of renewed conflict in the South Atlantic, queues at petrol pumps and disarray among political parties of all persuasions. Much of this is played out across new social media contexts, where the networked photographic and video image has a seemingly new currency.

How might photographers today respond to these and other challenges? Our symposium seeks to explore some of the photographic and artistic strategies developed by current practitioners in varied contexts of social engagement, collaboration and participation.  These strategies will be explored in a series of presentations and dialogues, involving artists, curators and audiences. Among other questions, we will consider the extent to which the ‘social turn’ is paralleled in other visual and artistic practices.  What criteria should we employ to judge the effectiveness and success of socially engaged practices? How do we balance process, participation and shared ownership, alongside more conventional notions of authorship, photographic concept and creativity?  In short, the aesthetic dimensions of socially engaged practice will be a focus of our discussion and presentations, whether confrontational and disturbing or daring to explore strategies of visual pleasure and play.

Socially engaged projects have traditionally had a weak profile within the commercial photographic and art worlds. We will also consider the extent to which this may be shifting, with the renewed emphasis on experimental socially- engaged projects in the public realm on the part of commissioners and festival curators.

Join us for a day of photographic debate, provocation and networking.

Registration is now open.   Fees are just £15 or £7.50 for students and unwaged, this includes lunch and refreshments!

Venue: Mining Institute, Neville Hall, Westgate Road, Newcastle upon Tyne, NE1 1SE.

REGISTER HERE

Following the Symposium we will be heading down to Side Gallery where Damien Wootten will be launching his new publication ‘Northern Refuge’ supported by North East Refugee Service and published by NEPN.

More information is available in the Events section.

NEPN Symposium, 18 May 2012

Socially -Engaged Practices Today @ Mining Institute, Newcastle upon Tyne

 

Michelle Sank, Untitled from the series The Submerged, 2011

 

Speakers include:  Pauline Hadaway; Bas Vroege; Michelle Sank; Anthony Luvera; Craig Ames; Ben Jones.

Dan Graham: ‘All artists are alike. They dream of doing something that’s more social, more collaborative and more real than art’. (http://artsconnected.org/collection/107477/dan-graham-beyond?print=true )

Is it possible for photographers to realise such dreams? What are the issues facing socially engaged practitioners today? Such questions seem particularly apt in our highly contested social sphere, marked in the UK by Conservative politics and seemingly intractable financial crisis coupled with savage cuts in public spending. Echoes of the 1980s are all too pervasive, with talk of (yet another) ‘lost generation’, rumour of renewed conflict in the South Atlantic, queues at petrol pumps and disarray among political parties of all persuasions. Much of this is played out across new social media contexts, where the networked photographic and video image has a seemingly new currency.

How might photographers today respond to these and other challenges? Our symposium seeks to explore some of the photographic and artistic strategies developed by current practitioners in varied contexts of social engagement, collaboration and participation.  These strategies will be explored in a series of presentations and dialogues, involving artists, curators and audiences. Among other questions, we will consider the extent to which the ‘social turn’ is paralleled in other visual and artistic practices.  What criteria should we employ to judge the effectiveness and success of socially engaged practices? How do we balance process, participation and shared ownership, alongside more conventional notions of authorship, photographic concept and creativity?  In short, the aesthetic dimensions of socially engaged practice will be a focus of our discussion and presentations, whether confrontational and disturbing or daring to explore strategies of visual pleasure and play.

Socially engaged projects have traditionally had a weak profile within the commercial photographic and art worlds. We will also consider the extent to which this may be shifting, with the renewed emphasis on experimental socially- engaged projects in the public realm on the part of commissioners and festival curators.

Join us for a day of photographic debate, provocation and networking.

Registration is now open. Just £15 or £7.50 for students/unwaged including lunch and refreshments.  More information is available in the Events section.

Portfolio Review Day, 19 May 2012.  Information on reviewers and process is available here

NEPN welcomes Photo Book Club to the region in May

pbcposterb

The event takes place the evening before our annual symposium on socially-engaged practice. More info to follow here soon.

Side Cinema screen Somewhere to Disappear

Somewher_to_disappear_Side_E_flyer