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Observe, Experiment, Archive EVENTS

Alongside the exhibition at Sunderland Museum & Winter Gardens, Observe, Experiment, Archive has a series of events investigating the themes raised within the exhibited works. During November 2019, you will have an opportunity to attend artist-led talks, a family based workshop day around the theme of space and more informal gallery walk and talks.

Artists Talk: Observing the Changing Natural World
15 November, 1pm – 3pm – Special Exhibitions Gallery, Sunderland Museum & Winter Gardens
Free/No booking required


Image: Management/Polled, Doon just the job (CH2305) from Sire, Maria McKinney 2016.

Photographer talk and discussion with renowned photographers Robert Zhao Renhui and Maria McKinney.

Maria McKinney is a visual artist based in Dublin. Her work explores the impact of human intervention on the natural world, often bringing together unusual contemporary materials and traditional craft techniques. She was awarded a Wellcome Arts Award in 2015 to produce Sire which she further developed during a residency at University College Dublin in 2016. A selection of works from Sire are presented within the Observe Experiment Archive exhibition.

Robert Zhao Renhui is a Singaporean artist, whose practice intersects with and is closely informed by science, in particular, zoology. His work addresses man’s relationship with nature, and related issues of morality and ethics, paying close attention to how our attitudes assumptions about the natural world are often shaped by institutions of authority and the media. Robert’s photographic project of 2013, A Guide to the Flora and Fauna of the World is presented within the Observe Experiment Archive exhibition.

Supported by Arts Council England and Culture Ireland.

 

Exhibition Walk and Talk: Observe, Experiment, Archive
16 November, 11am – 12pm – Special Exhibitions Gallery, Level 2, Sunderland Museum & Winter Gardens
Free/No booking required


Image: World Goldfish Queen from the series A Guide to the Flora and Fauna of the World, Robert Zhao Renhui 2013.

*This talk has BSL interpretation*

Exhibiting artists from Observe, Experiment, Archive will give a guided walk and talk in the exhibition space.

 

Exhibition Walk and Talk: This is What I See – Marjolaine Ryley
16 November, 2-2.45pm – Northern Gallery for Contemporary Art
Free/No booking required


Image: The Bud, from A Gardener’s Daughter, Marjolaine Ryley 2018.  

*This talk has BSL interpretation*

Marjolaine Ryley will give a guided walk and talk in the exhibition space.

 

Talk: Joseph Swan: A New Vision
22 November, 2pm – Pottery Gallery, Sunderland Museum & Winter Gardens
Free/No booking required


Image: LM.3 from Light Matter, Liza Dracup 2019.

A free public talk about Sunderland born chemist and inventor Joseph Swan, in relation to light and photography by photographic historian Dr Carol McKay and photographic artist Dr Liza Dracup.

Most people know Joseph Swan as the inventor of the incandescent light bulb. Few know he was also a photographic pioneer, an entrepreneur and businessman, with connections far and wide. We’re celebrating this story in Sunderland, the place where he was born and grew up and where he encountered photography for the first time.

Liza Dracup is a photographer based in the north of England.  Making work by unconventional photographic means, her experimental practice extends beyond the hours of daylight, drawing her into a world lit by artificial light. She is in pursuit of an alternative vision, one that de-familiarizes the once familiar. Her photographs reveal details, sensations and simplified forms, which were once invisible or concealed.  Placing emphasis on the extraordinary properties of the ordinary, her work creates an enriched idea of the northern landscape and its natural history.
Dracup’s wider research extends to re-positioning a wide-range of historical collections-based research material across photographic, artistic and scientific disciplines, which also underpinned her PhD at the University of Sunderland (2017).

Dracup is best known for Sharpe’s’ Wood (Impressions Gallery, 2007), an innovative series of large-scale colour landscape photographs made between dusk and dawn. Major recent commissions including Chasing the Gloaming (2011), Re:Collections (2013) and Landmarks (2016).  Dracup’s work was nominated for the Deutsche Börse Photography Prize (2012) and the Prix Pictet (Earth) Photography Award (2009).

This event is part of the Being Human Festival, the UK’s only national festival of the humanities, taking place 14–23 November and programmed in conjunction with the exhibition Observe Experiment Archive and Canny Sunderland talks series organised by the University of Sunderland. 

 

Space Rocks! Art and Astronomy Family Day
23 November, 10.30am – 3.30pm
Sunderland Museum & Winter Gardens

Do you love stars and space?

Get inspired at our Space Rocks family event with a day of hands-on art and science talks and activities.

Work with visual artist Helen McGhie in an astronomy art workshop to make space rock photograms and clay meteorites with potter David Partington. Helen will give a talk about the inspiration behind her photographic work with Dan Monk from Kielder Observatory.  Find out about different types of light in an interactive workshop with the experts from Kielder Observatory. Participate in hands-on demonstrations of lasers and lenses, diffraction glasses, infra-red cameras and ultra violet sensitive beads.

This event has been funded by the Institute of Physics (IOP).

Tickets for the science and art workshops are FREE but must be booked in advance.

For more information, timings and bookings please visit the Museum website HERE.

Please note some sessions have minimum age guidelines.

Helen McGhie is a visual artist based in Salford (UK).  Her practice explores the empirical nature of darkness through photography and the moving image.  She is currently investigating the act of astronomical observation at Kielder Observatory in Northumberland for her practice-led PhD, Stargazing at the ‘Invisible’: Photography and the Power of Obscured Light,’ which she is undertaking at the University of Sunderland.

 

Talk: The Polluted Seas and the Transformative Power of Photography
26 November, 6pm – 8pm – Holmeside Coffee, Sunderland Museum & Winter Gardens
Free/No booking required


Image: SOUP: Bird’s Nest by Mandy Barker 2011.

Join us for talks with Mandy Barker, photographic artist and Matt Barnes from the Marine Conservation Society. *Please note date change*
Meet at Holmeside Coffee for refreshments from 6.00pm. The talk will commence at 6.30pm.
Mandy Barker is an international award-winning photographer whose work involving marine plastic debris over the past 10 years has received global recognition. Working with scientists she aims to raise awareness about plastic pollution in the world’s oceans whilst highlighting the harmful affect on marine life

and ultimately ourselves. Barker’s work has been published in over 40 countries as she seeks to engage broader audiences in the environmental movement. She is a recipient of the 2018 National Geographic Society Grant for Research and Exploration, was shortlisted for the Prix Pictet Award SPACE 2017, nominated for The Deutsche Börse Foundation Photography Prize 2018, and nominated for the Magnum Foundation Fund.

Matt Barnes is Volunteer and Community Engagement Manager (NE) for the Marine Conservation Society (MCS). The MCS is the UK’s leading marine charity, working to ensure our seas are healthy, pollution free and protected. Our seas are under immense pressure: too many fish are being taken out, too much rubbish is being thrown in and too little is being done to protect our precious wildlife. MCS’ vision is for seas full of life where nature flourishes and people thrive.

            

       

Artist Talk and Book Launch: Tim Mitchell

Friday 25 October 2019

5.00 – 6.00pm Talk
6.00- 8.00pm – Book Launch and special exhibition viewing

The Pod, National Glass Centre, Liberty Way, Sunderland, SR6 0GL.

Join us for a talk and discussion with photographic artist Tim Mitchell together with cultural geographer Professor Mike Crang, Durham University and Naomi Austin, senior lecturer in Fashion Design and Promotion at the University of Sunderland at 5pm on Friday 25 October.

Tim Mitchell’s exhibition at NGCA, Product brings together two bodies of photographic artwork created over an entire decade, that together track the birth and death of our clothes. In the NGCA Collections Space, The Hopeless Transport Archive presents a vast collection of photographic images of abandoned vehicles, accumulated over 20 years, found on his travels across the whole of Europe.

Following the talk there will be a launch event for Mitchell’s first monograph, Product from 6-8pm.  Published by Kerber, the book brings together Mitchell’s observation of the lifecycle and consumption of objects and commodities, photographed over 15 years, contextualised by economic, sociological and art historical essays by Luc Boltanski & Arnaud Esquerre, Mike Crang, Nicky Gregson, Emily McMehen, Helen James, Carol McKay, Michalis Nikolakakis, Lucy Norris, Alistair Robinson. Design by Brighten the Corners. For further information see www.kerberverlag.com/en/tim-mitchell.html.

The event is programmed in partnership with Northern Gallery for Contemporary Art.

Image credit: Colour-sorted western clothing ready for shoddy processing, Panipat, India 2004 from Clothing Recycled, Tim Mitchell.

Photographer Talk: Chrystel Lebas


Chrystel Lebas, Re-visiting Pinus silvestris [illeg.] Plate n°1245, Aviemore, Rothiemurchus, August 2012. 57°8.691’ N 3°50.304’ W

Please join us for a talk by Chrystel Lebas on Thursday 28 February at 6.30pm, as part of our project ‘Observe. Experiment. Archive’ which explores the connections between photography and science.

The talk will take place at Breeze Creatives, Bamburgh House, Market Street, Newcastle upon Tyne, NE1 6BH.

The talk is free however booking is requested HERE

The work of French-born photographer Chrystel Lebas examines the complexities of mankind’s relationship with nature. Through her photographic work she investigates various landscapes and sites over time, documenting and revealing the various changes brought about therein by the interaction of both man and of nature itself. Working often in limited light and utilising the ‘uncertainty of the falling darkness at twilight’, Lebas produces large format, often panoramic and enveloping images of nature at its most remote, her beautiful and enigmatic works reflecting upon ‘notions of the sublime and our relationship to nature’.

During a collaboration with London’s Natural History Museum, Lebas combined photography with film, sound-work and text in a work retracing the steps of Sir Edward James Salisbury (1886-1978), a British ecologist who was director of the Royal Botanic Gardens, Kew in London (1943-56), who himself photographed landscapes of the British Isles. During this collaboration Lebas retraced Salisbury’s steps and the changes that had occurred since his life-time, producing a body of work that explored ‘the issues in relationships between humans, plants, and the environment in Salisbury’s time and also today’.

Chrystel Lebas is a graduate of the Royal College of Art (1997). Her photographs and films have been widely exhibited, most recently in her solo exhibition ‘Regarding Nature: Chrystel Lebas’ at Huis Marseille, Museum for Photography, Amsterdam in The Netherlands (2016-17). A selection of other galleries where she has exhibited include The Scottish National Gallery, Edinburgh (2016-17); The Photographers’ Gallery, London (2017); Maryland Art Space, Baltimore (2014); Palais des Beaux-Arts, Brussels (2012); Museum of Modern and Contemporary Art Rijeka, Croatia (2011); The Collection and Usher Gallery, Lincoln (2011); National Media Museum, Bradford (2009); Le Musée de la Chasse et de la Nature, Paris (2008); The Victoria and Albert Museum, London (2006); Nichido Contemporary Arts, Tokyo (2003) and Palais de Tokyo, Paris (1992). She has also shown her work at Paris Photo and Photo London Art Fairs.

Works by Lebas are held in several private and public collections, amongst them Huis Marseille, Museum for Photography Amsterdam; The Scottish National Gallery, The Victoria and Albert Museum; Bibliothèque Nationale Paris; The Collection and Usher Gallery, The Citigroup Private Bank and The Wilson Center for Photography. Monographs of her work include: L’espace temps-Time in Space (2003), Between Dog and Wolf (2006) and Field Studies: Walking through Landscapes and Archives, published to accompany the above mentioned exhibition at Huis Marseille Museum for Photography, Amsterdam (2017) which won the Kraszna Krausz Best Photography Book Award 2018, and also Best Dutch book design 2016. Lebas has contributed to numerous Photography and Visual Arts journals: Amongst them The New York Times TMagazine, FT Magazine,The Guardian, Source, Camera Austria, Exit and Portfolio Catalogue.

Chrystel Lebas lives and works in London, UK.

 http://www.chrystellebas.com/

 

Wear Experimenting Artists Talk

29 November, 6-8pm Wear Experimenting Artists Talk, Mackie’s Corner, High Street, Sunderland, SR1 1TX

Since June 2018, artist Jo Howell has been delivering a participatory project with and for the people of Sunderland, commissioned by The Cultural Spring and NEPN.

Wear Experimenting has engaged over 1300 residents in a series of photographic experiments designed to observe life in the city.

Associate Artists Nicola Maxwell and Michael Davidson, Ben Freeth and Graham Patterson have been developing projects which explore the connections between their participatory and personal practice, enhancing the Wear Experimenting programme and offer for participants.  You can find details of their workshops delivered here: http://www.northeastphoto.net/?p=4577

All of these projects explore photography as a tool with which we can observe, experiment and archive life in the city.
Join us for a discussion of their work and how they engage the public in its creation.

This is a free event but capacity is limited.  Please email nepn@sunderland.ac.uk to book your place.

Wear Experimenting Workshop and Exhibition Programme

Wear Experimenting opens at Mackie’s Corner, High Street, Sunderland on Thursday 8 November and will run to 1 December, opening on Thursdays, Fridays and Saturdays 3-7pm.  Artist Jo Howell will also present works from the project in The Bridges Shopping Centre and on digital billboards across the city.

Jo Howell and associate artists will be offering a range of workshops throughout the workshop period.  See below for taste of available sessions or visit: https://www.facebook.com/pg/NEPhotoNetwork/events/

Thursday 15 November, 4-6pm and Friday 16 November, 4-6pm, Mackie’s Corner, High Street:
Cyanotype Book Making with Jo Howell

Using a combination of objects, acetate negatives and writing, participants will create a unique folded cyanotype book about the exhibition. Paper for the booklets will be pre-prepared with design focussing on the content and arrangement of the booklets. A UV exposure lamp will be used to expose the books, which will be washed in cold water and dried for participants to take home the next day.
To book your place please email: booking@theculturalspring.org.uk or call 0191 427 8197.

 

Saturday 17 November, 12.45-3pm, Hendon, Sunderland:
Wear Experimenting Associate Artists - Nicola Maxwell and Michael Davidson -
Nature / Industry Photo Walk


Join Nicola Maxwell and Michael Davidson for a photo-walk on which you will take photographs, collect specimens and help build a collective survey of a post-industrial area.

Maxwell and Davidson are artists who specialise in photography with a particular interest in maps and the stories that can be told about an area through found objects and by exploring nature’s intervention.

Please note this is a walking event over hilly terrain and is not suitable for those with mobility issues. Sensible shoes, waterproofs and long trousers advised. Over 16s only.

Please bring a digital camera (camera phone can be used).

This event will take place in Hendon, exact meeting point address provided upon booking.
To book your place please email: booking@theculturalspring.org.uk or call 0191 427 8197.

A follow-up workshop will take place on 24 November, 1pm – 3pm to share images and experiment with post-production.

Saturday 17 November, 4-6pm, Mackie’s Corner, Sunderland:
Wear Experimenting Associate Artist – Graham Patterson
‘Zine making – Accumulation Part 2.

Definition of zine. : magazine especially : a noncommercial homemade publication usually devoted to specialized and often unconventional subject matter.

During the workshop participants can create folded – stapled zines using printed photograms of sea-plastics, that were collected form a shoreline in Roker with participants during last months ‘accumulation’ workshop.

An experimental approach is encouraged to create simple pamphlets and concertina booklets. Large scale inkjet prints of the sea-plastic photograms can be cut into, folded, glued and collaged together – drawn over or written on. All materials to make the booklets will be provided, artist book examples and book making guides will be brought to help with ideas.

There will be an opportunity to display the zines, both at Mackie’s Corner and in an A5 perspex leaflet dispenser, within the coastal site where the plastic material was collected. Participants can add factual information to the zines, where they see fit, to highlight the detrimental impact that plastics have on the marine environment. For example, ‘8 Million Tonnes Of Plastic Is Dumped In the Sea Every Year’.

To book please email:
booking@theculturalspring.org.uk or call 0191 427 8197.

Friday 23 November 2018, 2-5pm, Mackie’s Corner, Sunderland:
Wear Experimenting Associate Artist -  Ben Freeth, ‘Scan Paths’

‘Scan Paths’ is exciting project which redefines the boundaries of photography by creating an instant camera capable of performing eye-tracking on the user. When ‘eye tracked’ what you look at reveals both what is important psychologically to you, and the science involved in seeing. It’s a ‘selfie-cam’ that takes a picture of you while simultaneously revealing something about yourself!

Join digital artist Ben Freeth for a workshop in which you will help to create a ‘Yarbus Cam’ and use it on Friday 23 November from 2-5pm at Mackie’s Corner, Sunderland.

To book your place please email: booking@theculturalspring.org.uk or call 0191 427 8197.

Ben Freeth has a background in photography, documentary practice and workshop delivery. His current work expands on this extending into digital media practice and incorporating data as a medium for artistic expression. Ben’s artworks feature scientific photography combined with multichannel sound works, custom electronics, code, instruments and data driven artworks featuring photography and data sonification. Ben has worked and exhibited across the North East, the UK and internationally.  The production of Yarbus Cams is supported by FabLab Sunderland.

A Drop-in session (no need to book) will also run on Saturday 1 December, 2-5pm at Mackie’s Corner when you will get the opportunity to create images using the Yarbus Cams.

Friday 30 November, 1-3pm, Mackie’s Corner, Sunderland:
Pinhole photography with Jo Howell

In this pinhole photography workshop you can bring a container to create your own pinhole camera to photograph the City, or you can use the pre-made cameras from the project. This is one of the first photographic processes. Any container that you can make light tight can be turned into a simple camera. Using a darkroom and photographic chemicals we will develop the photographs you take. Participants will be expected to take photographs outside, so wrap up warm!

*Drop-in session, no need to book.

 


                        
                        

A Struggle for Democracy: Exhibition at the University of Sunderland

Visiting Professor Julian Germain and Emeritus Professor John Kippin

 

A Struggle for Democracy – Shahidul Alam

Wednesday 17 October 2018, 1pm. University of Sunderland, Priestman Building (Showcase Space), SR1 3PZ.

Join us to launch an exhibition of work by visiting professor Shahidul Alam and to raise awareness of the international campaign for his release from detention in Dhaka, Bangladesh.

There will be an introduction by Dean of the Faculty of Arts and Creative Industries, Professor Arabella Plouviez and contributions from invited guests.  All are invited to participate in a mass photograph to communicate our collective voice which will be shared and added to the thousands internationally who are campaigning for Shahidul’s ‘immediate and unconditional release’ (https://www.amnesty.org.uk/actions/free-shahidul-alam).

The exhibition runs 16-28 October 2018, as part of the UK-wide exhibition of work by Shahidul Alam, initiated by the Northern Centre of Photography, University of Sunderland, Autograph, London and Drik, Bangladesh.

#FreeShahidulAlam

The exhibition is produced by NEPN and the Northern Centre of Photography.

Photographer Talk: Hannah Starkey

Image:  Hannah Starkey, Untitled, October 1998. 1998 framed c-type print. 122 x 152 cm, 48 x 59 7/8 inches.  ©Hannah Starkey, courtesy Maureen Paley, London


Join us to hear Hannah Starkey talk about her practice, reflecting on her creative and professional development at 6.30pm on Thursday 28 June at Hope Street Xchange, Sunderland.  This talk opens the DEVELOP Graduate event 28-29 June but is open to ALL.  Booking and more info HERE.

Hannah Starkey was born in Belfast in 1971. She has received numerous awards throughout her career including the Vogue Condé Nast Award, 1997, the 3rd International Tokyo Photo Biennale’s Award for Excellence, 1999 and the St. James Group Ltd Photography Prize, 2002.
Recent solo exhibitions include Centre Culturel Irlandais, Paris, France, 2016 and Maureen Paley, London, UK, 2015, as well as previous solo exhibitions at Tanya Bonakdar Gallery, New York, USA, 2013, Mead Gallery, Warwick Arts Centre, Coventry, UK, 2011, Church of Light, a commission by the German Protestant Church, Frankfurt, 2010, Irish Museum of Modern Art, Dublin and Castello di Rivoli, Turin both in 2000 and Cornerhouse, Manchester, UK in 1999.
Hannah Starkey was invited to curate a room in History Is Now: 7 Artists Take on Britain, Hayward Gallery, London, UK and in 2014 she selected works for Magnum: One Archive, Three Views | BPB14, Part of Brighton Photo Biennale 2014, De La Warr Pavilion, Bexhill on Sea, UK.    Her work was included in Transparency, Walker Art Gallery, Liverpool, UK, Adventures of the Black Square: Abstract Art and Society 1915 – 2015, Whitechapel Gallery, London, UK, 2015, Northern Ireland: 30 Years of Photography, Belfast Exposed and The MAC, Belfast, UK.

Hannah Starkey’s photographs are represented in the collections of the Centraal Museum in Utrecht, Huis Marseille Museum for Photography in Amsterdam, Irish Museum of Modern Art in Dublin, Museo d’Arte Contemporanea Castello di Rivoli in Turin, Italy, Seattle Art Museum, Tate in London and Victoria & Albert Museum in London.
Starkey lives and works in London.   https://www.maureenpaley.com/artists/hannah-starkey?image=1

Attendance for this talk alone is £5.00 and is open to all, however you can attend the whole DEVELOP Graduate talk (including this event) for £20. You can find more information HERE

Following Hannah’s talk transport will be provided to the exhibition preview and book launch of John Kippin: ‘Based on a True Story, Works 1984 ̶ 2018′ at Northern Gallery for Contemporary Art.
The exhibition features works spanning Kippin’s forty year career and will run from 29 June ̶ 23 September 2018.

#WearExperimenting

#WearExperimenting is an ambitious photographic project devised by Jo Howell and commissioned by The Cultural Spring and NEPN.  The project seeks to engage the people of Sunderland in a series of experiments, intended to explore the cross-currents of creativity shared by photography and science and to invite the public to share their experience of life in the city.   Experiments will ask questions relating to the natural and physical environment; social, domestic and work life; health and well-being of the city and its residents.

Residents of Sunderland, and those who work in the city, can participate in workshops in Pallion, Millfield and Hendon and there will also be opportunities to encounter the project through a pop-up community darkroom which will appear over the next few months in community and social green spaces.

A key strand of #WearExperimenting will be online participation, an invitation extended to the public to create specific images relating to life in the city between September – October 2018.  Each month, a photographic ‘recipe’ or directive will be issued to the city’s residents and the resultant images shared across social media, building up a rich image bank and data set from which we can observe ourselves.

Follow the project at:

Twitter: @WearExperiment
Instagram:  @wearexperimenting
Facebook: https://www.facebook.com/WearExperimenting/
www.wearexperimenting.co.uk/

Artist Statement by Jo Howell
My interest lies in how we express our collective and individual human experience. There are many cultural aspects that make up our common assumptions and opinions. By working directly with people to create artworks I am aiming to create art that challenges my own preconceptions and those of others.

Sunderland is my home town, and a perfect example of a City that is viewed by outsiders as many unfavourable things. It is viewed as an impoverished area, as an area of high unemployment, an area with poor health, and many more things that have been said about our City in the media. Some of these issues are based on statistics and information collected by the government. I don’t see my lived experiences as being reflected wholly by these statistics. I find these ideas reductive, in the sense that it reduces our agency in in the broader societal context. That we are maligned by presumption.

As an insider I want us all to really explore these assumptions about our area using photography in its many different forms. Like a science experiment we will create photographs following a systematic method. When given the same instructions or parameters for investigation, what will happen? Will we create something totally unexpected? Will we create very similar images, or will there be deviations throughout due to how each participant interprets the instructions? Will this project help us to understand our place in the world, or perhaps help us to redefine it?

The Cultural Spring is the Sunderland and South Tyneside Creative People and Places programme, funded by Arts Council England to raise participation and engagement in the arts amongst local communities.   Since 2014, The Cultural Spring has produced innovative and award-winning large-scale projects that include community engagement as a key part of the commission. Past major commissions of The Cultural Spring have included WildWorks’ A Great Night Out, the Summer Streets Festival and Inventors led by Sunderland born Dominic Wilcox, which has subsequently become ‘Little Inventors’ and continues to inspire young people to develop their own invention ideas.

The commission is supported using public funding by the National Lottery through Arts Council England.

 

DEVELOP Graduate – Professional Development Event

Image: Helen McGhie, Wanderer 2017

DEVELOP Graduate is a two-day professional development event organised by graduating students from the Northern Centre of Photography with NEPN.

The event has been co-designed to support emerging photographers and artists using photography, offering a space to think about next steps and build professional networks.

The programme comprises a keynote photographer talk by Hannah Starkey on the evening of Thursday 28 June and a full day of talks and discussion on Friday 29 June, with contributions from photographers including Liza Dracup, John Kippin, Sarah Pickering, Helen McGhie, Othello De’Souza-Hartley and Julian Germain as well as curators including George Vasey and Charlie Gregory.
You can find speaker Bios HERE.

Thursday 28 June, 6.30-9.00pm.
Photographer Talk by Hannah Starkey at Hope Street Xchange, followed by preview of the John Kippin exhibition ‘Based on a True Story, Works 1984-2018′ and book launch at Northern Gallery for Contemporary Art (free transport provided).

Friday 29 June 2018, 9.30-6pm.
Photographer talks; panel discussions offering photographer/curator perspectives on topics including:  balancing personal and commissioned projects;  building a community of practice; sustaining a creative practice.

Venue: Hope Street Xchange, Sunderland.

Advance registration is requested.  Please click here to book.

Attendance costs £20 (including both days) which is highly subsidised by the Higher Education Academy, NEPN and University of Sunderland Development Trust.

NEPN is the recipient of a national award in recognition of its work in connecting pedagogy and professional practice, engaging students of the Northern Centre of Photography with the photographic and wider cultural sector and NEPN’s offer.  The Collaborative Award for Teaching Excellence was awarded by the Higher Education Academy.

For information or any queries please email:  nepn@sunderland.ac.uk

 

 

Bläue (Blueness) by Kerstin Schroedinger

NEPN and Breeze Creatives present a screening of Bläue (Blueness), a film by artist Kerstin Schroedinger on Wednesday 7 March at 6.30pm at Bamburgh House, Newcastle. Following the screening there will be a Q&A with the artist.

Juxtaposing images of the production sites of the pharmaceutical-chemical industry with speculations on the historical, social, and material conditions of Cyanotype photography, Bläue (Blueness) probes into the (gendered) politics of materiality and the (violent) historicities of its form.
 The film follows a figure that proceeds through the stages of exposing and developing a Cyanotype. They revisit sites in Seveso, Italy, and Basel, Switzerland that both relate directly to the history of Prussian Blue, a blue synthetic dye.
In the latent period, when the images are exposed but not developed yet, the figure searches to define their body as both commodity and consumer of pharmaceutical products. This body is modelled on the productive body of Fordist labour. Yet like the industrial sites that appear as remnants of an older mode of production, this body has been fundamentally reconfigured to conform to post-industrial working conditions.
Subsequently, the figure aims to perform against pharmaceutical substances and prepare against a neoliberal take-over of their movements, lingering between the roles of researcher, scientist, athlete, pharmacist, patient, woman. (Schroedinger, 2017). 

Bläue (Blueness) was supported by and premiered at Berwick Film & Media Arts Festival in 2017.

Where: 8th Floor, Bamburgh House, Market Street East, Newcastle upon Tyne, NE1 6BH.  Bamburgh House is fully accessible.  All welcome. FREE. Film duration 48 mins followed by Q&A.

Kerstin Schroedinger is an artist based in Berlin working in film/video, sound and performance. Kerstin’s historiographic practice questions the means of image production, historical continuities and ideological certainties of representation. Schroedinger is a member of feminist film distribution group Cinenova in London. 
Her work has been shown at the Whitney Museum of American Art, Anthology Film Archives New York, Images Festival Toronto, Short Film Festival Oberhausen, International Film Festival Toronto, Gasworks London, and exhibited at MIT List Visual Arts Center Boston, Photo Cairo #6, Les Complices* Zürich, The School of Kyiv – 2nd Kiev Biennale, Kunstpavillion Innsbruck, amongst other places.